Once I was a clever boy learning the arts of Oxford... is a quotation from the verses written by Bishop Richard Fleming (c.1385-1431) for his tomb in Lincoln Cathedral. Fleming, the founder of Lincoln College in Oxford, is the subject of my research for a D. Phil., and, like me, a son of the West Riding. I have remarked in the past that I have a deeply meaningful on-going relationship with a dead fifteenth century bishop... it was Fleming who, in effect, enabled me to come to Oxford and to learn its arts, and for that I am immensely grateful.


Showing posts with label Knights of the Garter. Show all posts
Showing posts with label Knights of the Garter. Show all posts

Friday, 30 May 2014

A visit to St George's Chapel Windsor


Today I went on an excursion organised by the Oxford University Heraldry Society to St George's Chapel at Windsor Castle - my first visit to the castle for over fifty years.

We had a fairly early start from Oxford, as we were booked in at the Chapel for 10.30. So up betimes and off to Summertown in North Oxford for my lift to Windsor. Being between other roadusers travelling times we made good progress. The jorney took us through Slough, and this, my first visit, brought home to me what Betjeman wrote so long ago about it - "Come kindly bombs and fall on Slough/ It isn't fit to live there now"...

On arrival at the King Henry VIII gate of the castle it was a slightly disconcerting sign of the times to be met by the usual attendants plus a policeman armed with a serious looking gun. Nevertheless the welcome to our group was very friendly and we had two of the Military Knights to acts as guides to the chapel and to the Garter plates of the Knights of the Garter in their stalls in the choir.

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 The choir of St George's Chapel

Image:mrffriends.org

File:Castell de Windsor - Capella de Sant Jordi.JPG

The banners of the Knights of the Garter

Image: Wikipedia 

The tour of the Chapel enabled me to see things I recalled vividly from my previous visit, plus things I had missed, such as the Beaufort chantry with the tomb of the first Earl of Worcester and, in the south choir aisle, the onetime home of the Cross Gneth, plus things that are not always accessible, such as the Rutland chapel with the tomb of Lord and Lady Roos and the brass of her parents Anne Duchess of Exeter, sister of King Edward IV  and King Richard III, and her second husband Sir Thomas St Leger. The chapel is full of  tombs and memorials of interest to anyone with a sense of history and genealogy - you almost fall over deceased monarchs - there are ten sovereigns buried in the chapel.


Stall plates

The earliest surviving Garter plate, which is of Sir Ralph Basset, together with those of later Knights 

Image;stgeorges-windsor.org

The tour of the stalls with the Garter plates was a rare opportunity to get a close view of this amazing collection. To view them all would take an age, but our guide, who has complied a new cross-referenced list of the plates, pointed out those of the first Dukes of Marlborough and Wellington, of Winston Churchill, Clement Attlee, Edward Heath, Margaret Thatcher and John Major amongst Prime Ministers, whilst the array of foreign royalty was amazingly rich. Starting with Charles the Bold of Burgandy and Emperor Maximilian I along the way - and we had to keep moving forward through the lines of the range of stall beneath the Knight's ones, I spotted, inter alia, numerous Portuguese monarchs down to King Manuel II, King Alfonso XIII of Spain, Emperor Haile Selassie,King Ferdinand I of Romania, King Charles X of France, and some other French Kings' plates could be seen in the further distance. There were two plates from the fourteenth century - though possibly not originally in the Chapel - and several of participants in the events of the Wars of the Roses.

I was a little disappointed that some of the most recent plates, such as those of the Earl of Wessex and of the Duke of Cambridge, had abandoned the traditional medieval French for English in their inscriptions - by contrast Lady Thatcher's stall plate was, for all her supposed Euro-scepticism, in traditional French.

After our tour we came out by the Dean's cloister and went for buffet lunch in the basement - the Dungeon - of the Curfew Tower, before having a tour of the Archives of the Chapel and Order. These included displays of early fifteenth century account rolls of the Dean and Chapter with the earliest references to the Garter plates, records of nominations by the Knights to fill vacancies - a practice which durvived until the time of Queen Victoria's widowhood - and which survived in an early sicxteenth century manuscript recovered by chance in London from the clearance of a private collection and returned to King George VI, and plans of the stalls and their plates.

We also were shown items from the library of the Chapel, including a Caxton, and finally the permanent display of treasures, including the illuminated Black Book commissioned by King Henry VIII about 1534-5, and which was on show at the Greenwich exhibition about him in 1991, and has group portraits of the King surrounded by the Knights of the Garter, including Emperor Charles V, King Francis I, King James V and King Ferdinand I.

The Black Book of the Garter 

The Black Book, named after its black velvet binding, is the first surviving register of the Garter. It was begun in 1534 when Henry VIII was married to Anne Boleyn. However it incorporates material from earlier registers (which are now lost) dating to the reign of Henry V. The text is in Latin and it contains statutes, an account of the foundation of the Order and the record of ceremonies and elections. It is finely written and richly illuminated in the Flemish style. There are representations of the founder of the order, Edward III and his wife Philippa along with Henry V.

The pages depicted here are on the reign of Henry VIII and the ceremonies of the Order for 1534. Above left, Henry VIII is surrounded by twenty-five knights in the robes of the Order; bottom left and right, the knights in armorial surcoats, process to chapel where, above right, the three junior knights arrive.

The Black Book shows the impact of the Reformation as in later admissions, various decorations of the Order that are depicted have been mutilated and wiped out to eliminate ‘superstitious’ elements.

Image and text :little-miss-sunnydale on Flickriver.com 


As well there is  in the display the Red Book, commissioned by Queen Elizabeth I, and the Blue Book from the reign of King Charles I. Also on display were a tally list of votes in the papal conclave of 1676 - how that got to Windsor is unknown - and handwritten nominations by several seventeenth century Knights, including the future King James II.

This was fascinating day out, and I am very grateful to the organisers for arranging it. If any reader gets the chance to have such a tour I warmly recommed doing so. In any case Windsor is so rich in fascinating things to see that any visit, or indeed repeated visits, is definitely something to do.




    

Monday, 28 April 2014

Devotion to St George


Today is the liturgical commemoration of St George this year - but on that point do look at Fr Hunwicke's post S George??. To mark the feast of the national patron saint here are some late medieval English depictions of him. This was the period in which his cult was widespread and images of him must have been plentiful. However time and chance as well as religious and political upheavels have robbed us of most of them. Those which do survive are often damaged.


File:Saint George and the Dragon alabaster sculpture.jpg 

St George and the Dragon
English polychromed alabaster, 1375-1420
National Gallery of Art, Washington D.C.

Image:Wikipedia 


Altar with St George and the Dragon, presented to Queen Margaret of Anjou, wife of King Henry VI by the first Earl of Shrewsbury, and made in Rouen in 1445. Kneeling at the altar are the Knights of the Garter

This looks similar as acomposition to the statue above,and to such spectaular surviving pieces as the statue of St George which survives in Stockholm, and about which I have posted beforehand in
.
Image: wars of theroses.devhub.com



Medieval glass from St Winnow, Cornwall


Haddon Hall in Derbyshire has this figure, notable for his ginger moustache

Images: aclerkofoxford.blogspot.  

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This fine mid-fifteenth century figure of St George, in St Martin Coney Street in York.
Originally in the clerestory of the church the figure survived the bombing of 1942 and has been re-set in a window in the restored south aisle

Image;Steve Day on Flickr 


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The figure in its original situation before 1942
Left to right: St Christopher, St Gabriel, the Virgin Mary and St George, with donors below.

Image: jmc4 - Church Explorer on Flickr

If stained glass has been vulnerable to iconoclastic reformers and revolutionaries, not to mention bombs and neglect, so too have been wall paintings. In addition to the one I featured in Medieval Wall paintings uncovered in Wales, here is one of the best surviving examples from England:



 St. George, wall-painting in St. Gregory's Church, Norwich, c.1500

Image:Shafe.co.uk 


St George and the dragon (watercolour detail)

St George and the Dragon

This detail is from a watercolour painting by the Great Yarmouth artist Cornelius Jansson Walter Winter (1821-1891), drawn from the wall-painting discovered in St Gregory's Norwich in 1861.
The wall-painting is thought to be one of the finest and most complete medieval depictions of St George to be found in England, and this painting gives an idea of what its original appearance may have been.

Image: BBC - Picture courtesy of the Norwich Castle Museum And Art Gallery
 


St George pray for us

Sunday, 9 December 2012

Emperor Sigismund


Today is the 575th anniversary of the death of the Holy Roman Emperor Sigismund in 1437. Born in 1368 a younger son of the Emperor Charles IV he became King of Hungary by marriage, King of the Romans and, ultimately, Holy Roman Emperor by election and King of Bohemia by inheritance.



Emperor Sigismund

The painting is attributed to Pisanello and shows Sigismund at about the age of 50, that is about 1418.
He appears to have reqularly worn a hat of this type as he is always depicted wearing one.
Kunsthistorisches Museum Vienna

Image: Wikipedia


There is an illustrtaed online life of him here.  He played amajor part in convening and supporting the Council of Constance in 1414-18, and travelled to Spain, France and Englandin 1416 to secure the adhesion of the Iberian kingdoms to the Council and to negotiate with the government of King Charles VI of France and with King Henry V. Initially this was mediation in the wake of King Henry's success at Agincourt the previous year, but when he came  to England he entered by the Trearty of Canterbury into alliance with King Henry.He was feted in England, and the monarch's exchanged gifts and honours, including Sigismund being made a Knight of the Garter. He gave, inter alia relics of St George to the chapel of the Order at Windsor

One aim of the allaince was to pursue Church reform ahead of the electuion of a new, unquestioned, Pope. However in the autumn of the following year the English King deceided to fall in with other realms and support the elction of anew pope following on from what had been achieved in the way of reform. So it fell to Richard Fleming, by then a leading figure in the English delegation at Constance to tell Sigismund of the change in English policy. In the weeks that followed Cardinal Colonna became Pope Martin V and Richard Fleming entered the Apostolic Household.

In the summer of 1422 Fleming, bu now Bishop of Lincoln, was sent on a diplomatic mission by King henry to woo poloiticala nd miliatry support from the Elector Palatine and the three Archbishop Electors and to attend the Imperial Diet Sigismund had summoned to Nuremburg. It was whilst this was meeting that King Henry V died and Fleming returned home.

A link with Sigismund's visit in 1416 survives in York in the city's Sword of State. Granted the privilege by King Richard II of the sword and a cap of mainatence to indicate its rank as a city and county of the city, the civic authorities were given the sword by Henry Hanslap, a native of York, and canon of Windsor in 1439. Two years earlier when the Emperor Sigismund died his Garter stall at St Georges was dismanted and the sword and helm removed from the chapel, passing to the
Dean and Canons of Windsor. The Dean later gave it to one of his canons,  Hanslap, who then  presented it to his native city in 1439. The sword was redecorated in 1586, as is recorded on the blade, and has been frequently repaired.


http://mek.oszk.hu/02000/02096/html/saxon03.jpg
The Sigismund Sword 
The Dragons refer to the Order of the Dragon, founded by Sigismund as King of Hungary

Image:mek.oszk.hu

http://www.thediamondjubilee.org/sites/www.thediamondjubilee.org/files/styles/lightbox/public/LN-TQ-Apr12-Micklegate.jpg

The Sigismund Sword is presented to The Queen on her visit to York for the Royal Maundy service this year.
The Swordbearer is wearing the other distinctive piece of insignia of the City, the Cap of Maintenance

Image:thediamondjubilee.org

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The Sword of State, Cap of Maintenance and Mace

Image: City of York Council photostream on Flickr