Friday 31 July 2020
Thursday 30 July 2020
Tuesday 28 July 2020
Monday 27 July 2020
Sunday 26 July 2020
Saturday 25 July 2020
Ralph Hodd of Ventnor in his useful piece on pilgrimage for the Isle of Wight Catholic History Society writes as follows: “There are, however, a number of links with the major Spanish shrine of Santiago de Compostella and given the place of the Isle of Wight in relation to trade routes to Gascony and northern Spain, this seems to have been a destination favoured by Island pilgrims.”
Medieval English exports of wool to the Low Countries was more than balanced by imports of wine from the English controlled ports of Bordeaux and Bayonne in Gascony, and from northern Spain.
“In the early years of the sixteenth century fleets of well over a hundred vessels would gather off the Isle of Wight before sailing south to collect the produce of the wine harvest. It was not uncommon for the masters of these vessels to make an additional profit by conveying pilgrims on the seaward leg of their journey to the shrine of St.James at Compostella. If Compostella pilgrims were present on vessels heading out or returning to the Island, the light of St.Catherine’s would have been a significant symbol on their journey.”
The lighthouse - the only surviving medieval example in Britain - which was once adjoined by an oratory staffed by a priest, dates from the early fourteenth century and its history is available at History of St Catherine’s Oratory and St. Catherine's Oratory
The St Catherine’s Light
Image : isleofwight.co.uk
Hodd continues “It is perhaps significant that there are two specific references to an Isle of Wight connection with Santiago de Compostella and these add substance to the possiblity that this shrine held a particular attraction for pilgrims from the Island.”
The first of these is the gift from 1456. This is an English alabaster portable retable, given to the Galician shrine in that year by John Goodyear, a priest of Cheil or Chale in the diocese of Winchester.
The Church of St Andrew at Chale
It was a Santiago Holy Year, a Jubilee which is declared whenever St James’ Day falls on a Sunday, as it will in 2021. Hodd suggests that perhaps the surname of the donor is more than a coincidence, and continues: “John Goodyear was not the rector of Chale, but the quality of his gift implies that as well as being in holy orders, he was a man of some means. If Cheil is indeed, Chale, Isle of Wight, it may not have been difficult to obtain passage to Spain, given the pattern of the wine trade.”
As the record in the Winchester episcopal registers of appointments to Chale appears to be missing it is not actually clear if Goodyear was the incumbent or not, as Hodd asserts. The formal deed of gift ( vide infra ) does in fact describe him as Rector. It does occur to the Clever Boy that if John Goodyear was not the incumbent of Chale could he possibly have been the custodian of St Catherine’s Light?
Hodd continues:“A later, substantial reference to Islanders making pilgrimage to Santiago is made by Sir John Oglander in his Royalist Notebook. Although this was recorded in the first half of the seventeenth century, it contains anecdotal evidence about this practice from the early years of the sixteenth century. Sir John records that,
‘There was a great pilgrimage to St.James of Compostella in Portugal, whither many of our Island have foolishly travelled, either for their soul’s health (as they believed) or for their bodies. The Lady Worsley, wife to Sir James, daughter and heir to Sir John Leigh, was the last of our Island that underwent that pilgrimage. She carried many old women with her, and some young, of which lived in my time that have related the passages of their journey to me‘.
Hodd adds: “Given that it was the practice of the wine fleet to gather off the Isle of Wight, it is possible that Puckcaster Cove at Niton, provided a point of embarkation for pilgrims to Compostella as it was considered a suitable anchorage and landing place ... It is the shine of St. James at Compostella that appears from those sources still available to us be the most significant consistent element in the practice of pilgrimage on the Isle of Wight in the middle ages. Realistically though, this would only have been an option for those of means.”
Once in Santiago, he gave the alabaster altarpiece as an offering to the Apostle. It is popularly known as the Goodyear Altarpiece and there is an article about if from the Antiquaries Journal in 1926 which is accessible at A Datable English Alabaster Altar-piece at Santiago de Compostela | The Antiquaries Journal. It is unique amongst surviving English alabasters in depicting the St James and the story of his Apostolate in five panels.
Another tangible link with the Pilgrimage to Compostella from these northern islands in the fifteenth century survives in a fragment of window tracery from the now destroyed church at Iniskeen on Upper Lough Erne in County Fermanagh. It is illustrated and placed in its historical context in iniskeen-window which outlines the pilgrimages made by two of the Maguire Kings of Fermanagh in the period.
Friday 24 July 2020
Thursday 23 July 2020
Wednesday 22 July 2020
Monday 20 July 2020
Saturday 18 July 2020
Thursday 16 July 2020
The examples at Gamlingay church in Cambridgeshire are considered at Gamlingay.
To the east in Suffolk are those at Lidgate, which I have posted about some years ago on this blog. Here the interest is that one might. just conceivably preserve the handwriting of local boy turned monk turned poet John Lydgate of Bury St Edmunds. This discovery is discussed in an article in the Guardian The message of love hidden in medieval graffiti. It is also covered in a piece on the BBC News website at Author linked to church graffiti
The Lidgate inscription is also considered in Lidgate St Mary’s ‹ SECRET SUFFOLK and in a post by Matthew Champion, the author of the first article that set me on this thread, on his blog about his work with the Norfolk and Suffolk graffiti recording project at Let's talk Lydgate...
Finally the theme is picked up and linked to manuscripts of John Lydgate’s poetry by the Library of Trinity College Cambridge in John Lydgate, Medieval Graffiti and Mythological Beasts