Today is the feast of St Catherine of Siena and John Dillon posted the following images of her on the Medieval Religion discussion group:
The mystic and visionary Catherine of Siena was born in 1347,
the umpteenth daughter of a Sienese wool-dyer and his wife. A professed
virgin since childhood, she became a Dominican tertiary at the age of
eighteen, living very ascetically and engaging in acts of charity to the
sick and the poor. In 1370 she received a series of visions that
impelled her to enter public life. Catherine then carried on a lengthy
correspondence with Pope Gregory XI, touching on many matters and urging
church reform. In 1375 Catherine received the Holy Stigmata. In 1376
she was in Avignon and from 1378 until her death in 1380 she lived at
Rome.
Catherine was buried in her order's Roman church of Santa
Maria sopra Minerva. The subject of an immediately posthumous cult, she
has a very impressive
Vita (BHL 1702) by her confessor, Bl. Raymond of
Capua, who as prior of the Dominican convent erected her first funerary
monument in 1380. The monument was modified in 1430; in 1466 Catherine
was translated to her present resting place before the high altar.
Herewith some views of Catherine's tomb in Santa Maria sopra Minerva,
with its sculpture of her from 1430 reposing on a sarcophagus added in
1461, the year of her canonization by her fellow Sienese, Pius II:
http://www.flickr.com/photos/rayflynn/2034595233/http://tinyurl.com/26azt4rhttp://tinyurl.com/2c5jcpl
http://tinyurl.com/2c5jcpl
A distance view:
http://tinyurl.com/gv69w2tSince 1384 Siena's basilica di San Domenico (a.k.a. Basilica Cateriniana) has had Catherine's head:
http://tinyurl.com/hdg6sxdhttp://www.vittoe.com/0205a/p5294692.jpg
http://tinyurl.com/zzabyy2It also possesses one of her fingers:
http://tinyurl.com/hfxrsmgCatherine
was named a Doctor of the Church in 1970. Along with Francis of
Assisi, she is a primary patron of Italy. In 1999 she was proclaimed a
patron saint of Europe.
Some period-pertinent images of St. Catherine of Siena:
a)
as depicted by the Sienese artist Andrea Vanni in a late
fourteenth-century fresco (c. 1390) in the basilica di San Domenico in
Siena:
http://images.alinari.it/img/480/CAL/CAL-F-002341-0000.jpg
http://tinyurl.com/jfk7tkfb)
as depicted (at left; at right, St. Cecilia) by Beato Angelico in an
earlier fifteenth-century panel painting (between 1420 and 1429) in The
Courtauld Gallery, London:
http://static.artuk.org/w944h944/NGS/NGS_NGS_NG_1030.jpg c)
as depicted (with a donor before the BVM and Christ Child) in an
earlier fifteenth-century panel painting from Lombardy (c. 1440) in the
Metropolitan Museum of Art, New York:
http://www.metmuseum.org/art/collection/search/459040 d)
as depicted (receiving the stigmata) by Henri d'Orquevaulz in an
earlier fifteenth-century book of hours for the Use of Metz (c. 1440;
Paris, BnF, ms. Latin 10533, fol. 134v):
http://gallica.bnf.fr/ark:/12148/btv1b10318624f/f274.iteme)
as depicted by the Sienese artist Sano di Pietro in a
mid-fifteenth-century panel painting (c. 1442) in the Bonnefanten
Museum, Maastricht:
http://tinyurl.com/gwp32xff) as depicted in a later fifteenth-century fresco in the (ex-) chiesa di San Pietro in Carpignano Sesia
(NO) in Piedmont:
http://tinyurl.com/5792wpg)
as depicted (receiving the stigmata) in a later fifteenth-century copy
of her
Vita by Bl. Raymond of Capua (Carpentras, Bibliothèque municipale
Inguimbertine, ms. 472, fol. 2v):
http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht4/IRHT_074283-p.jpgh)
as depicted by the Sienese artist Giovanni di Paolo in a later
fifteenth-century panel painting (c. 1462) in Harvard University's Fogg
Art Museum:
http://www.harvardartmuseums.org/art/231676i)
as depicted (scenes from her
Vita) by the Sienese artist Giovanni di
Paolo in a series of later fifteenth-century predella paintings (c.
1462-1470) now in several different museums:
a) receiving the Dominican habit (Cleveland, Cleveland Museum of Art):
http://tinyurl.com/zzyou2w
b) clothing Christ disguised as a beggar (Cleveland, Cleveland Museum of Art):
http://www.clevelandart.org/art/1966.3
c) exchanging her heart with that of Jesus (New York, Metropolitan Museum of Art):
http://images.metmuseum.org/CRDImages/ep/original/DT508.jpg
d) her mystic marriage (New York, Metropolitan Museum of Art):
http://images.metmuseum.org/CRDImages/ep/original/DT507.jpg
e) her miraculous communion (New York, Metropolitan Museum of Art):
http://www.metmuseum.org/toah/images/hb/hb_32.100.95.jpg
f) receiving the stigmata (New York, Metropolitan Museum of Art):
http://images.metmuseum.org/CRDImages/rl/original/DP366040.jpgg) beseeching Christ to resuscitate her mother (New York, Metropolitan Museum of Art):
http://images.metmuseum.org/CRDImages/rl/original/DP366038.jpgh) before the Pope in Avignon (Madrid, Museo Thyssen-Bornemisza):
http://www.wga.hu/art/g/giovanni/paolo/1/avignon.jpgj)
as depicted in a panel of a later fifteenth-century glass window (Bay
23; c. 1470) in the église Notre-Dame in Carentan (Manche):
http://therosewindow.com/pilot/Carenton/w23-c2.htmThe window as a whole:
http://www.mesvitrauxfavoris.fr/index_htm_files/351134.jpghttp://therosewindow.com/pilot/Carenton/w23-Frame.htmk)
as depicted (at far right) in a late fifteenth-century predella panel
painting of Dominican saints in the Musée Unterlinden in Colmar:
http://www.musee-unterlinden.com/assets/images/_nouveau_mecenat/DSC_0024.JPGl)
as depicted (receiving the stigmata) in a late fifteenth-century book
of hours for the Use of Autun (c. 1480-1490; Autun, Bibliothèque
d'Autun, ms. 269, fol. 170v):
http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht7/IRHT_107589-p.jpgm)
as depicted (at left, flanking the BVM and Christ Child; at right, St.
Sebastian) by the Sienese artist Matteo di Giovanni in a late
fifteenth-century panel painting (c. 1480-1490) in the Columbia Museum
of Art, Columbia, SC:
http://tinyurl.com/hd8pd5cn)
as depicted (at right; at left, St. Catherine of Alexandria; their
mystical marriages) by Ambrogio Bergognone in a late fifteenth-century
panel painting (c. 1490) in the National Gallery, London:
http://tinyurl.com/jswxygto) as depicted by Carlo Crivelli in a late fifteenth-century panel painting (c. 1490) in the Musée du Petit Palais, Avignon:
http://www.wga.hu/art/c/crivelli/carlo/candele3.jpgp)
as depicted (her mystic marriage) by Giovan Pietro Birago in the late
fifteenth-century Sforza Hours (between c.1490 and 1494; London, BL,
Add MS 34294, vol. 3, fol. 209v):
http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_34294_f209vAre those bunny pellets at lower left?
q)
as depicted by Domenico Ghirlandaio and workshop in a late
fifteenth-century panel painting (between 1490 and 1498; from his
dismembered Tornabuoni altarpiece for Florence's basilica di Santa Maria
Novella) in the Alte Pinakothek in Munich:
http://tinyurl.com/hd2urhj r)
as portrayed by the Sienese painter and sculptor Neroccio di Bartolomeo
de' Landi in a late fifteenth-century polychromed wooden statue (1494)
in the oratorio di Santa Caterina in Siena:
http://tinyurl.com/dfumfs
Detail view:
http://www.thais.it/scultura/image/ALTE/SRIN_340.htms)
as depicted (as spiritual guide of the second and third orders of
Dominicans) by Cosimo Rosselli in a late fifteenth-century panel
painting (c. 1499-1500) in the National Galleries of Scotland:
http://static.artuk.org/w944h944/NGS/NGS_NGS_NG_1030.jpgt)
as depicted (surrounded by demons) in a late fifteenth- or early
sixteenth-century panel painting (c. 1500) in the National Museum in
Warsaw:
http://tinyurl.com/hyyrwgvu)
as depicted in the early sixteenth-century Hours of Frederick of Aragon
(i.e. Federigo d'Aragona, king of [mostly mainland] Sicily, etc.; between
1501 and 1504; Paris, BnF, ms. Latin 10532, fol. 368r):
http://gallica.bnf.fr/ark:/12148/btv1b8427228j/f372.item.zoomv)
as depicted (upper register; her canonization by Pope Pius II) by
Pinturicchio in an early sixteenth-century fresco (between 1502 and 1507)
in the Piccolomini Library in the cathedral of Siena:
http://tinyurl.com/jjlhsxl
Detail view:
http://tinyurl.com/hmy8zsvw)
as depicted (interceding with the devil on behalf of a dying sister) by
the Sienese artist Girolamo di Benvenuto di Giovanni del Guasta in an
early sixteenth-century panel painting (c. 1505) in Harvard
University's Fogg Art Museum:
http://www.harvardartmuseums.org/art/229488x)
as depicted (upper register at center, between. SS. Peter Martyr and
Margaret of Hungary) by Juan de Borgoña in an early sixteenth-century
panel painting (c. 1515) in the Museo del Prado in Madrid:
Here in Oxford the Oratory possesses in its relic collection a letter written by St Catherine, and which is on displayto mark her feast. I understand that the editors of a new definitive edition of her letters are due to visit the Oratory in the near future to copy it for inclusion in their project.
