Once I was a clever boy learning the arts of Oxford... is a quotation from the verses written by Bishop Richard Fleming (c.1385-1431) for his tomb in Lincoln Cathedral. Fleming, the founder of Lincoln College in Oxford, is the subject of my research for a D. Phil., and, like me, a son of the West Riding. I have remarked in the past that I have a deeply meaningful on-going relationship with a dead fifteenth century bishop... it was Fleming who, in effect, enabled me to come to Oxford and to learn its arts, and for that I am immensely grateful.


Showing posts with label York Minster. Show all posts
Showing posts with label York Minster. Show all posts

Thursday, 8 June 2017

St William of York


Today is the feast of St William of York.

William Fitzherbert who died in 1154 had a somewhat chequered career trying to hold on to the See of York, and according to some traditions died as a result of a poisoned chalice. There is an account of his life at William of York

Today Gordon Plumb, who is a superb photographer of medieval stained glass and generous in making his work available, posted a link on the Medieval Religion discussion group to an album containing images of all the main light panels in the St William window in York Minster. The window which lights the north-east choir transept, and with that dedicated to St Cuthbert opposite, flanks the original site of the High Altar in the Minster - the altar was moved a bay east in the eighteenth century and now occupies what before the sixteenth century removal of the freretory was the shrine chapel of St William. The window, which shows scenes from his life and of his posthumous miracles, was the gift of the baronial family of Roos of Helmsley Castle - who feature in the donor panels at the base of the window.

The album can be viewed here.




Monday, 22 May 2017

Death of Constantine the Great


Today is the 1680th anniversary of the death of the Emperor Constantine the Great at Nicomedia in 337.

Flavius Valerius Aurelius Constantinus was born in Naissus ( Niš in Serbia) on February 27, 272
( although other dates for his birth have been advanced ) and he was proclaimed Emperor in succession to his father Constantius Chlorus at Eboracum - now York - on July 25th 306. Initially one of seven contenders for the Imperial dignity by 324 he was undisputed master of the Roman world and had by the Edict of Milan given toleration, and followed it with generous patronage, to Christianity. There is an online account of his life with links at Constantine the Great 

The accession of Constantine, and its consequences, is arguably the single most important event to have happened in the British Isles. As a Yorkshireman one can take especial pride or interest in the fact that it happened in York. Whatever ceremonies attended upon the event probably took place in the Basilica whose remains underlie York Minster. Following the excavations there a collapsed column from it was re-erected outside the Minster and that has now been joined by a modern statue of the young Emperor.

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The modern statue from 1998 of the Emperor Constantine outside York Minster

Image: Pinterest

Constantine did not of course remain long in Eboracum and established  himself in Trier before his conquest of Italy and then of the East and the establishment of Constantinople as the new Imperial capital.

One of his features as aruler was aconcern with his image, and was very much in the tradition of his predecessors in that respect. However with his adoption of Christianity new stylistic issues emerged.

Ancient Coin House: CONSTANTINE The GREAT. BRONZE COIN. IMPERIAL ROMAN EMPIRE.

A bronze coin of Emperor Constantine
This depicts him as a young man

Image: eBay

Constantine coin
Gold coin of Emperor Constantine

Image: Nobility.org



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Medallian issued by Constantine from Ticinum in 315.
As recorded by Eusebius the Emperor has the chi-rho on his helmet

Image:UNRV

From his residence in Rome after 312 there are the remains of a statue, made out of marble and bronze around a brick core.

Dated to 312-15, and probably reworked after 325, the 40 foot high enthroned statue proclaimed the authority, the quasi-divine authority, of the Emperor. That did not prevent it being pillaged in late Antiquity, and the marble portions of it were only rediscovered in 1486. 

There is more about it at Colossus of Constantine and at Images of the Colossal statue of Constantine, Rome, 315-330


Rome-Capitole-StatueConstantin.jpg

The head of a colossal statue of the Emperor in the Capitoline Museum in Rome

Image: Wikipedia 

A gold medallion from the later part of the Emperor's reign was auctioned by Bonhams in Los Angeles in 2015. This still portrays the Emperor as a young man, just as Augustus was always so depicted.

Constantine

Few 4th century gold medallions of this significant size — a diameter of 48.8 mm and weight of 41.88 g — have come to market in recent years. Gold medallions such as this were typically gifts given by the Emperor to high-ranking individuals of the empire, both military and civilian. They were also presented to ambassadors and chieftains on important occasions in hopes to impress them.

The Director of the Rare Coins and Banknotes Department at Bonhams, Paul Song, states, "Having handled two of the most valuable collections of ancient coins ever offered at auction, this particular gold medallion of 9 solidi size was not in either collection, making this an extremely rare find. It is of the highest importance to the advanced collector. The fact that Constantine the Great, himself, would have almost certainly handled the coin in question further adds to the allure and desirability of this incredible item."

Constantine gold

These medallions were true multiples of gold and silver coins and could legally be used as money. This particular piece of ancient currency illustrates a bust of Constantine wearing a rosette diadem. On the reverse, Constantine is seen with a nimbate or halo, which is often found on Byzantine coins. He is seated on his throne while holding his staff in his right hand and the cherished plant, acacia, in his left. His two sons, Constantine II and Constantius, stand on either side of Constantine in their military attire, each holding a spear and shield.

Historians have placed this coin's creation after May 11, 330 A.D. (the consecration of Constantinople). Therefore, this remarkable coin may be one of the earliest productions of the Constantinople mint.
 
Images and text: Bonham's and lunaticg.blogspot.com 


Despite his patronage and munificence towards the Church, and not least his his convocation of the Council of Nicea, it was not until he was on his deathbed that Constantine was baptised. One suggestion is that he was planning to travel to Jerusalem for baptism but that his final illness overtook him early on his journey and hence his death in the old Eastern capital of Nicomedia.

His body was brought back to Constantinople and buried in the Church of the Holy Apostles

" The destroyed church of the Holy Apostles at Constantinople, known only through a description by Eusebius of Caesarea, was begun in 333 and completed by Constantius II (337–361). It was cross-shaped, and a drum—a cylindrical or polygonal wall that usually supports a dome—rose above the crossing, probably covered by a conical wooden roof. The sarcophagus of Constantine stood in the centre, surrounded by memorials to the 12 Apostles. It was less a church than a mausoleum in honour of the first Christian emperor, who was made to appear in that church as the 13th Apostle." 

Encyclopaedia Britannica.com 

The church as rebuilt two centuries later under the Emperor Justinian is shown in these images from the website Byzantium1200.com together with their notes:


The Church of the Holy Apostles was first built in the fourth century, in a cruciform shape and attached to the round mausoleum of Constantine on the highest hill of the newly founded city. In the time of Justinian I the church was rebuilt completely on a larger scale, leaving Constantine's mausoleum intact and adding a second cruciform mausoleum. Most emperors and their wifes were buried there until the 11th century. The church of the Holy Apostles had at least the same overall size as the Hagia Sophia; was erected on the groundplan of a Greek cross, had one dome with windows over the centre and four domes without on the cross arms. However, the details of construction are much disputed, since no part of the building survives and the later copies in the west like San Marco in Venice or Saint-Front in Périgeux seem to imitate the original building quite freely. The church was given to the Greek Patriarch after the Ottoman conquest in 1453, but then demolished in 1456 and subsequently replaced by the big Mosque of Mehmet Fatih. 


 
 

 

His burial church may have gone, and possibly only apart of his sarcophagus survives, but there can be no doubt that few rulers have had so long lasting an impact on the life of the world as Constantine the Great.


Tuesday, 7 July 2015

The Translation of St Thomas Becket


Today is the Feast of the Translation of St Thomas Becket, commemorating the removal of his relics into the new shrine in the cathedral at Canterbury in 1220. 

There are posts about that at The Translation of Thomas Becket from the blog Thirteenth century England.and two more from the blog  A Clerk of Oxford, from 2012 A Clerk of Oxford: The Translation of St Thomas Becket and from 2014 A Clerk of Oxford: The Translation of St Thomas Becket. The latter has a good example of the deliberate destruction of the saint's imagery from the roof bosses in the cloisters at Canterbury cathedral.

There is a useful account by J.C.Wall from his Shrines of British Saints, published in 1905, of the shrine and its decoration, with contemporary illustrations and descriptions as well as an account of the Translation of 1220 at  http://www.historyfish.net/shrines/cw_shrines_four4.html#thomas

Shrine of St. Thomas
The Shrine of St. Thomas of Canterbury.   
Cottonian MS., Tib. E. viii. f. 269.

The Translation of 1220 was commemorated later on by the Jubilee of St Thomas, a pilgrimage year every fifty years thereafter - most notably in 1420 when Archbishop Chichele secured it against Papal doubts as to the right of an Archbishop to proclaim a Jubilee year.

The Rev Gordon Plumb posted the following list of images of the saint on the Medieval Religion discussion group last December to mark the feast of St Thomas' martyrdom

York Minster and St Michael-le-Belfrey, York: a series of early 16th century panels, now divided between the Minster and the adjacent church of St Michael, telling the apocryphal life of Thomas Becket, the story doubtless taken from Caxton's translation of the Golden Legend:

York, All Saints' North Street, nV, 1c-2c, sainted Archbishop, probably Becket, 1430-40:

Oxford, Christ Church Cathedral, sVII, B2, Martyrdom of Becket, early 14th century

Yarnton, St Bartholomew, Oxfordshire, nIV, A4, 1400-1420:

Salle, St Peter and St Paul,, Norfolk, sVI, A1 (missing head)  1440--50:

Long Melford, Holy Trinity, Suffolk, nXVII, A3-A4, Becket (with St Edward the Confessor:

Credenhill, St Mary, Herefordshire , sIV alongside St Thomas of Hereford, c.1300:
detail:

Warwick, St Mary, Beauchamp Chantry, East window, 2a, 1447-64 b y John Prudde:
detail of head and mitre:

Canterbury Cathedral, Trinity Chapel Ambulatory, nII, image of St Thomas hovering vengefully over the house of Jordan Fitz-Eisulf, post 1213 return from exile of the Canterbury community:
Shot of all the Fitz-Eisulf panels:
These come from the great series of miracle windows depicring the saint's interventions in human affairs, which have survicved in his shrine church despite the odds.

Harpley, St Lawrence, Norfolk, E2, (alongtside St Martin in D3), 15th century.:

And also some in wall paintings:
St Albans, Cathedral and Abbey Church, north nave arcade pier, 3rd quarter of the 14th century 

Pickering, St Peter and St Paul, North Yorkshire, nave north arcade, wall paintings, c.1475 (repainted in 19thC.).:
detail:

North Stoke, Oxfordshire, north wall, three knights from martyrdom scene

Given the determined attempt in the 1530s to eradicate the cult of St Thomas it is surprising how many images survived that and later onslaughts and neglect - unless it also shows the ineffectivemess of sixteenth century government at local level. That said the examples which do survive or have been uncovered are moreover an indication of how many more iomage sthere must once have been visible to the eye.


Monday, 8 June 2015

St William of York


June 8th is feast of St William of York, who died in 1154, and Gordon Plumb has posted the following piece, which I have slightly adapted, on the Medieval Religion discussion group:

William Fitzherbert was elected Archbishop of York by a majority of the cathedral chapter, defeating the Cistercian, Henry Murdac of Fountains Abbey. Murdac's supporters appealed to Rome on the grounds that Fitzherbert was a dissolute simoniac put into the see by King Stephen. Innocent II permitted the consecration if the charges against Fitzherbert were denied on oath. Lucian II, the next Pope but one sent him the pallium, which Fitzherbert did not bother to collect! The following Pope, the Cistercian Eugenius III suspended William on a technicality, and Murdac, now abbot of Fountains, was consecrated by Eugenius and William deposed, following the sacking of Fountains by William's supporters. William still had royal support and he went off to Winchester and lived, we are told, a saintly life. On the deaths of St Bernard, Eugenius and Murdac himself, the new Pope, Anastasius IV, reinstated William in 1153. William was reputed to have been subsequently poisoned, it is said, by the defeated party. He was canonized in 1227 by Honorius III. Miracles were reported at his tomb, including holy oil exuding from the tomb, a scene which is shown in one of the panels in the St William window in York Minster - see below.

Some images:

Oxford, Trinity College, Old Library, East windows:

York Minster, Great East window, 1f:
detail of rings embroidered on glove of St William of York:
detail, arms of St William as archbishop:

Morley, St Matthew, Derbyshire, sIII, 1c, St William with St John of Bridlington:


York Minster, nVII, St William window, in the north choir trnsept, given by Lord Ros of Helmsley castle in the fifteenth century - some details:

nVII, 22b, A man offering a leg at William's shrine:
Cripples collecting oil from William's tomb:
A released prisoner offering chains at shrine:
A woman praying at William's tomb:
Four men seeking cures at the tomb:
nVII, 1b, Robert and Richard, 4th and 5th sons of William 7th Baron Ros:
nVII, 1c, William Lord Ros and Margaret, Lady Ros:
nVII, 1e, Beatrice Dowager Lady Ros mother of William, 6th Baron Ros:
York Minster, wI, 2g-4g: St William and Sewall de Bovill:
Detail of apparel on William's alb:

York, St Michael-le-Belfrey, sVI, 2b, arms of St William in wreath:

York, St Michael-le-Belfrey, sIV, 3d-4d:
and detail:

York, Yorkshire Museum. western corner of St William's shrine, c.1471:


Wednesday, 6 May 2015

St John before the Latin Gate


Today is traditionally the feast of St John before the Latin Gate. Gordon Plumb has posted these stained glass depictions of the non-martyrdom of St John on the Medieval Religion discussion group:

Lincoln Cathedral, sII, 3a:

York Minster, East window, 11a:

Glasgow, Burrell Collection (ex Rouen, St Jean, c.1510-30)

Thursday, 23 April 2015

St George - some medieval glass images


Rev Gordon Plumb has posted the following selection of medieval English stained glass depictions of St George from his collection of photographs on the Medieval Religion discussion group site:

Leicester, Jewry Wall Museum, very late 15thC.:

Wells Cathedral, nII, 2b-3b:

St Winnow, St Winnow, Cornwall, sII, 5a-7a:

Heydour, St Michael, nII, 2b:

Stanford-on-Avon, St Nicholas, Northamptonshire, sVI, 2a:

Long Sutton, St Mary, Lincs, sVI, 2b-3b:

Doddiscombsleigh, St Michael, Devon, nIV, 2b:

Barton upon Humber, St Peter, formerly in East window, now in store with English Heritage awaiting conservation (when they can afford it!)

Oxford, Merton College, West window:

Fairford, St Mary, Gloucs. nVIII, B2:

Bowness on Windermere, St Martin, East window, 2b-4b:

York Minster, nXVIII, 2a (reconstructed 15thC. figure):

York Minster, nXVII, 2a:

Tuesday, 14 October 2014

English Iconoclasm IX


Nothing so encapsulates English iconoclasm in the Reformation period and in subsequent centuries than the attack on the cult, on the veneration, on almost even the name, of the Blesed Virgin Mary. Mary's Dowry appeared more tha anxious to expunger her from its collective life and worship.

I have already mentioned the 1538 burning of several famous statues of her as well as other devotional imagess, and in the first years of the Elizabethan settlement there were similar scenes - what I wonder did the good people of Sleaford in Lincolnshire think in 1560 when the Crucifix was taken out from their parish church of St Denys and burned in the market place outside?

Lady Chapels in churches attracted the attention of zealous reformers. At Ely cathedral the wondrous fourteenth century Lady Chapel lost all its glass and every statue in the canopy work around the arcades was meticulously decapitated.


 The Lady Chapel of Ely Cathedral

Image: paradoxplace.com

As I heard Eamonn Duffy point out in a lecture here in Oxford folk-memory and shifting blame comes into play here: on a visit to Ely he heard a guide explain that this was all due to Oliver Cromwell (a local boy made bad on emight add), and ignoring the fact that the damage is the responsibility of the Bishop of Ely under King Edward VI... a case of blaming "the other".

(I will not comment on the rather bizarre figure of the Virgin which has been placed there in recent years and can be seen above the altar in the photograph - I am not sure who is to "blame " for that.)

In other case the church might survive, but the Lady Chapel was deemed extraneous and pulled doem to save on repairs or to provide stonework as at Tewkesbury abbey, saved by the townspeople at a scrap value of £453. Nonetheless the chapel, which contained tombs of fifteenth century lords of the manor and patrons of the abbey, was later demolished.


The site of the Lady Chapel at Tewkesbury Abbey

The line of the vault can be seen, and the foundations are marked out in the turf in the foreground

Image:sydneythehoundofheaven.blogspot

At Norwich cathedral the Lady Chapel was demolished and only partially rebuilt in the twentieth century as a memorial to the Great War, whilst at Peterborough the Lady Chapel, situated rather like that of Ely cathedral to the north-east of the main church, and free standing on three sides was demolished for its stone in the 1650s and a country house, Thorpe Park, built with the materials.
 

Peterborough Cathedral - First Burial, Mary Queen of Scots - Preview Image

Peterborough Cathedral from the north in the seventeenth century by Daniel King 

The Lady Chapel can be seen to the left of the north transept, and flanking the presbytery, whils the north-west tower still has a spire

Image;awesonestories.com

At St Albans and at Sherborne the Lady Chapels survived because they were used as grammar schools until the nineteenth and early twentieth century restorations returned them to ecclesiastical use.

The English liturgy was purged of virtually all Marian devotions in 1548, and little survived beyond the feasts of her birth and, surprisingly perhaps, conception. In Oxford University the feast of the Assumption survived as a lesser commemoration, and as it still exists in the University Calendar.


In Oxford the University Church of St Mary the Virgin had a new porch built in 1636-37 by the mason Nicholas Stone at a cost of £230. This was adorned with a statue of the Virgin and Child, and in 1644 this was one of the capital charges  brought against Archbishop Laud by the Parliamentarians, on the basis that Laud as Chancellor of the University had sanctioned this. The statue had attracted the respect and indeed devotion of some University students and was blasted by a Parliamentarian musket when the army left the city at the beginning of the Civil War. A modern replacement now occupies the niche.


photo

The South porch of St Mary the Virgin Oxford, with the statue of the Virgin and Child

 Image:David Nicholls on Flickr

Medieval statues which survived often did so in exile. Thus the statue now designated Our Lady of Westminster was, as the link explains, rediscovered and on sale in France in 1954, and acquired for Westminster Cathedral. A copy of it is now a replacement for the statue of Our Lady of Pew in Westminster Abbey, which appears to have been the original focus of King Richard II's vow of England to Our Lady as her Dowry in 1381.

http://upload.wikimedia.org/wikipedia/commons/c/c2/OLWestminster.jpg 

Our Lady of Westminster

Image: Wikipedia

In the link about the statue it is worth noting the reference to exports from 1550, with three ships loads heading for French cities. There is also the reference to a near identical figure, but headless, which was found in 1863 buried in the churchyard at Broughton in Craven. That was a recusant area, with the Tempest family as local lords. Maybe they decided decent burial was the appropriate thing for a vandalised statue.

Near Oxford at Sandford on Thames a fine carving of the Assumption was found upside down and being used as a step in the church porch in the eighteenth century. I have posted about it and illustrated it in Assumption at Sandford on Thames.

In the crypt of York Minster is the statue now known as Our Lady of York. I think this was rediscovered during the restoration of the choir after the arson of 1829, and that it was found buried in the east wall. I wonder if, as an already old sculpture that was venerated, it had been re-enthtoned in Archbishop Thoresby's Lady Chapel in the late fourteenth century, vandalised in the sixteenth century and buried in the wall behind where it once was honoured?




  The statue of Our Lady of York

Image: carmelite.org

Vandalising statues in churches in your own country is one thing, but going abroad to do so is adding to the fault, and leads to the story of Our Lady Vulnerata at Vallodolid, which is as follows on the English College website :


In the great reredos of the Chapel of the English College, Valladolid, is the statue of Our Lady Vulnerata. The story of this statue begins in the reign of Queen Elizabeth I of England, in 1596. Spain had recovered from the defeat of the Invincible Armada and was gathering another fleet in the port of Cadiz, on the Atlantic coast of southern Spain. The Earl of Essex, together with Sir Walter Raleigh, led an English fleet into the harbour, destroyed the Spanish fleet and took possession of the city.

Some of the English troops ran riot and dragged a statue of the Virgin Mary and Child from a church to the market square where they desecrated it. They hacked at the face and cut off both arms. All that remained of the Child were parts of his tiny feet on His Mother's knee.



Our Lady Vulnerata

Image:sanalbano.org 
 
The mutilated statue was given greater honour than ever and the Countess of Santa Gadea, wife of the Governor of Castille, gave it place of honour in her chapel in Madrid.
The staff and students of the English College in Valladolid asked the Countess for the right to make reparation for the behaviour of their fellow countrymen who had desecrated the statue. Reluctantly she agreed and the statue was brought to Valladolid and installed with great solemnity in the College Chapel in 1600. Queen Margaret of Austria, wife of King Philip III of Spain, who was present when the statue was installed, had asked for a novena in honour of Our Lady. On the last day of the novena the Bishop of Palencia gave the statue the title of Our Lady Vulnerata (which means wounded and insulted).

The Chapel was renovated in 1979 to mark its third centenary. More recently the façade was restored and the main doors renewed at the end of 1985; and the Chapel was opened to the public.

Every week, to this day, special prayers are offered in reparation for the insults to Our Lady and the Child Jesus and to implore the intercession of Our Lady Vulnerata for the conversion of the people of England and Wales. 


Every year during Holy Week the statue is processed along the street, where it is met by a huge 'paso' or float, which has a large depiction of the Crucified Christ resting on top of it. The two images meet, and dance to each other for a brief period,  - then the Vulnerata comes back to the College.
The story of the statue is depicted in eight paintings around the walls of the College Chapel.
The Mass of Our Lady Vulnerata is celebrated in the College by special indult on the Sunday following the feast of the Immaculate Conception.
In the year 2000, the fourth Centenary of the arrival of the statue of Our Lady Vulnerata, after further renovation of the College Chapel, the statue was given a new crown, a gift from the old boys of the College, at a solemn ceremony on the Feast of the Forty Martyrs of England and Wales.

Text adapted from: sanalbano.org 



                                                 
Prayer to Our Lady Vulnerata

Dear Mother, as I gaze on your wounded and mutilated image, I humbly beg your pardon for the grievous insults to you, great Mother of God. Help me to notice the wounded children of the world, and see your beauty in the faces of the poor and disfranchised. Let me love them better, as your Son commanded. I praise you through the faith, loyalty and blood of the missionaries who prayed for courage before your image, and I ask you to keep today’s missionaries in your loving care as they, too, carry the Good News throughout the world. Amen

Image and text: whitesmokeahoy.blogspot.co.uk 


Concluded 

Thursday, 10 October 2013

Feast of St Paulinus of York


Today is the feast day of St Paulinus, the founder of the see of York in 627 and subsequently Bishop of Rochester, who died on this day in 644.

http://www.holycrosschurchhaltwhistle.co.uk/_Media/st_paulinus_med.png

St Paulinus

An early fifteenth century figure in the north choir clerestory of York Minster

Image:holycrosschurchhaltwhistle

I have posted about him and his mission in Northumbria in St Paulinus of York, St Chad at York and St Paulinus at Dewsbury.

There is a good account of his life, which refers to recent historical criticism of the sources, here.

In the centuries after his death, and despite his career - and indeed his appearance - being recorded by St Bede in his Ecclesiastical History he appears to have slipped in popular memory, and there appears little evidence of a local cultus, other than the tradition of his baptising at Dewsbury, and the lovely glass panel in York Minster of which I reproduce a detail. Later generations appear to have venerated St Wilfrid with numerous church dedications and depictions in the Minster at York far more than the first founder of the See. Both can, of course, be seen as founders not merely of the Church in the north but of a specifically Roman connection.

At York the later cult of St William came to predominate, though it probably never had the same popular appeal as that of St Wilfrid. That of St Paulinus became localised at his later see of Rochester, and wider devotion to him appears to be a more recent phenomenon, arising in the nineteenth century. 























Saturday, 29 December 2012

The cult of St Thomas in art


Today is the feast day of St Thomas of Canterbury, the anniversary of his murder in his cathedral in 1170. Last year I posted about some images of St Thomas in art - notably a statue at Chartres.
This year I am illustrating some of the images listed by John Dillon in his post for today on the Medieval Religion discussion group. This is only a personal selection from the great number of extremely interesting examples which he gave.

In part they illustrate, as did my post last year, the spread of his cult from Spain and Sicily to Sweden and Iceland - which produced an important source for his life in a Saga.  Devotion to him spread rapidly in the generation after his death and it remained widespread throughout the middle ages.

Kay Brainerd Slocum's Liturgies in Honour of Thomas Becket (University of Toronto Press, 2004) has a useful chapter (pp. 98-126) on the spread of Thomas' cult.

The chiesa di San Giorgio in Como has a reliquary case housing what is said to be part of Thomas' chin and some bones said to be those of St. Eutichius of Como. The reliquary and the relics can he seen here, here and here. The certificate from 1777 of a recognition of these relics can be seen here.

In Italy St Thomas appears in wall paintings such as this  thirteenth-century fresco of his martyrdom in Pavia's chiesa di San Lanfranco - given the connection with Canterbury this is perhaps not surprising:


http://www.sanlanfranco.it/uploads/pics/w_assasinioTomasBecket.png

Image; sanlanfranco.it


A fresco of circa 1260 formerly in the episcopal place at Treviso in the Veneto and now in that see's diocesan museum shows the martuyrdom as well as King Henry II. In the first view, note the domes in the representation of Canterbury cathedral:it is thought that the artist was familiar with St Mark's in Venice.

http://farm4.static.flickr.com/3505/3972213586_3e47cd62f1_b.jpg

Image: farm4.static.flickr.com



http://farm3.static.flickr.com/2479/3972215200_10e0d6799a_b.jpg

 Image; farm3.static.flickr.com

The influence of Emglish clergy working in Scandinavia doubtless helps explain the presence of devotion to and commemoration of St Thomas there. Here are two photographs  of reliefs on the late twelfth-century baptismal font (ca. 1190-1200) in the church at Lyngsjö (Skåne län) showing King Henry II, the murderers, and St Thomas of Canterbury's martyrdom:

Lyngsjö kirke, døbefont



Lyngsjö kirke, døbefont

Images: nordenskirker.dk


More views of this font are available here (scroll down to Døbefont):


The cult remained popular in Scandinavia into the later middle ages as is indicated by this  altarpiece statue in Härads kyrka, Härad (Strängnäs kommun), Södermanland:



Image:Someday man on Flickr

The great series of miracle windows at Canterbury - how did they manage to survive the destructive urges of iconocl;asts in the sixteenth and seventeenth centuries I wonder - as in the example here of Becket window 4 (circa 1215-1220)

They are closely related in date and style to the early thirteenth-century Becket window in the cathedral at Chartres which can be seen here and to the heavily restored, seemingly early thirteenth-century, Becket window in the north choir of Sens cathedral, which can be seen here.

Sens has close links with St Thomas as his home whilst in exile, and the cathedral preserves vestments which are said to have been his.

There is a link to an article in Vidimus with a discussion of, and some expandable views of, earlier thirteenth-century Becket windows at Sens and elsewhere which can be read here.

St Thomas remained popular with commissions fromn glaziers, and despite King Henry VIII's proceptuion of his image, many examples still survive. Here is a fine early fifteenth century one from York Minster:


http://vidimus.org/wp-content/uploads/2011/01/issue_32_2009_pom5.jpg

St Thomas of Canterbury as depicted in the north choir aisle of York Minster (panel 5b of window nIX )
Given by Thomas Parker, circa 1415-1420

Image: vidimus.org

Here are two scenes from Meister Francke's  early fifteenth-century Altarpiece of St. Thomas Becket , probably commissioned by the English community in Hamburg and dated to 1424-36, and now in the Kunsthalle in Hamburg:

http://upload.wikimedia.org/wikipedia/commons/7/7d/Meister_Francke_007.jpg

Archbishop Thomas enters into Canterbury - an interesting depiction of how in the fifteenth century a bishop might appear when travelling:

http://upload.wikimedia.org/wikipedia/commons/8/86/Meister_Francke_011.jpg


The martyrdom of the Archbishop


Images: Wikipedia

There is an article about Meister Francke here.

Tuesday, 20 March 2012

St Cuthbert


Today is the 1325th anniversary of the death of St Cuthbert in 687, and his traditional feast day. The modern calendar commemeorates him on September 4th, the date of the translation of his relics in 1104, but this, his dies natalis seems much the more appropriate day.

St Cuthbert was Bishop of Lindisfarne and died at his hermitage on Inner Farne. My reflections from 2010 on a visit there in 1989 can be read in my post Lindisfarne. To those I would add a note to draw attention to the inherent symbolism in Cuthbert, the Northumbrian hermit monk, whose consecration at York in 685 by the very cosmopolitan St Theodore of Tarsus, Archbishop of Canterbury, "the last known student of the school of Athens" linked the eastern and north-western limits of Christendom and virtually the whole breadth of the known Christian world.

The biography in the Oxford DNB by David Rollason and R. B. Dobson can be read here, and there is another online account here.

These both discuss the relics of St Cuthbert which survive from his time, or which were given to his body and shrine in the later Anglo-Saxon period. They are described and discussed here, and there is a separate, and longer, article on the St Cuthbert Gospels here. These were plavced in his coffin in the late seventh century and from their size it seems reasonable to believe that they were his own property and used by him on his travels and in his hermitage. They were removed from the tomb at the reformation and eventually came into the possession of Stonyhurst. There is currently an appeal by the British Museum to raise the money to buy this very important manuscript and display it in London and Durham on a six monthly basis.


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The St Cuthbert Gospels

Image:pasthorizonspr.com/ Copyright British Museum

Probably the best known of the artifacts found in his grave was his pectoral cross, and its design has been re-used in many representations in Durham and Northumberland.

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St Cuthbert's Pectoral Cross

Image: cushneentforce9.co.uk

Devotion to St Cuthbert was widespread, and in the north often reflects the reputed wanderings of the monks with the relics of St Cuthbert, St Oswald and others, and also the later prestige of the see of Durham and its widespread estates. However the cult also trvalled southwards and he was popular in tenth century Wessex, and commemorated by churches such as St Cuthbert in Wells and by the devotion of the West Saxon dynasty to him. As they established their authority in the north after 924 paying respect to St Cuthbert was not only a matter of devotion but also a matter of political tact and the recognition of local custom and practice.

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King Athelstan presents copies of St Bede's two Lives of St Cuthbert to the saint in his shrine at Chester-le-Street in 934

Image:Wikipedia from MS at Corpus Christi College Cambridge

Since 1104 St Cuthbert has rested within the walls of Durham cathedral, and his burial place is still a place of pilgrimage. With him in the coffin is, or was, the head of St Oswald, the King of Northumbria killed in battle in 641. As a consequence this came to be one of St Cuthbert's attributes and so he is normally depicted as a vested bishop holding a King's head.

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Stained glass figure of St Cuthbert holding the head of St Oswald c.1320
Christ Church Cathedral Oxford

Image: Lawrence Lew OP on Flickr


Early in the fifteenth century Thomas Langley, Bishop of Durham from 1406 -1437, gave the glass of the great window of the south choir transept in York Minster, filling it with the story of St Cuthbert, and balanced by that on the north containing the life of St William of York.

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The St Cuthbert window
York Minster

Image: Rev.Gordon Plumb on Flickr

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The central figure of St Cuthbert holding the head of St Oswald

Image: Rev.Gordon Plumb on Flickr

There is also this link from Gordon Plumb to a comprehensive set of images of the Cuthbert window here; each one is expandable. Not only do the scenes recount the story of St Cuthbert but are a splendid set of portraits of leading figures at the time and depictions of early fifeenth century life. I know from the experience of trying to look at the panels when in the Minster that this is a much easier way of looking at this marvellous window.

May St Cuthbert continue to pray for the Church and Realm


Tuesday, 28 February 2012

St Oswald of Worcester


Today is the commemoration of one of the great figures of the tenth century English church, St Oswald, Benedictine monk, Bishop of Worcester, who in his later years held in addition the Archbishopric of York, and the founder of the great Benedictine abbey at Ramsey in Huntingdonshire as well as the cathedral priory at Worcester, who died 1020 years ago on February 29 992.

The biography of him by N. P. Brooks in the Oxford DNB can be read here and there is another, illustrated, account of his life here.

His main cult centres were at Worcester where his shrine and that of St Wul(f) stan flanked the high altar in the middle ages and at Ramsey. At York he was perhpas less venerated than other episcopal saints of the see, but he is depicted in the early fourteenth century glass of the great west window of the Minster:

York Minster, wI, 2e-4e, Archbishop, 2f-4f, St Oswald of Worcester

York Minster
Unidentified Archbishop to left, St Oswald of Worcester on right

Image: Gordon Plumb on Flickriver