Today, for the first time, I visited Harvington Hall near Kidderminster in Worcestershire. The visit was organised as a summer excursion for the Brothers of the Oxford Oratory.
Harvington Hall from the east
Image: birminghamdiocese.org.uk
The Hall is an Elizabethan moated manor house with rare wall
paintings and the greatest series of priests' hiding places in the
country - it has seven plus a vestment hide - and they are thought to be the work of St Nicholas Owen. When they were constructed Harvington was owned by Humphrey Packington. There is an illustrated online account of the history of the house at the post Harvington Hall
from the blog Tudor Stuff, and there are more photographs and information here.
In 1696 it passed by inhertance from Humphrey Packington's daughter, Lady Mary Yates, to the Throckmorton family, who were based at Coughton Court. Probably as an economy measure they demolished the north wing and the Great Hall on the western side about 1700, leaving a rather lop-sided plan. A model in the house indicates the rather grander appearance the Hall originally had. The house was partially occupied by relatives and by the priest but gradually decayed, and by 1826 the family had moved elsewhere and much of the top floor was unfurnished; by 1904 it was described as `hastening to decay'. However in 1923 it was bought by a benefactor, Ellen Grant-Ferris, and given to the Archdiocese of Birmingham and is now managed through a voluntary committee. Restoration work over the years has revealed the wall paintings and is a continuing process to enhance the building and its setting.The wall paintings, though faded, do indicate the often lavish and colourful decoration of houses in the period.
Amongst the items on display are some very fine vestments - one associated with St John Wall, who was martyred in 1679 and who had ministered at the Hall. These are displayed near the old chapel in the upper part of the building. Originally the walls and ceiling were covered with a trailing design of flowers whcih must have made the chapel into a simulation of a floral bower.
from the blog Tudor Stuff, and there are more photographs and information here.
A model of Harvington Hall as it may have appeared when completed by Humphrey Packington.
The demolition and alterations of c.1700 removed the battlements and the three blocks at the rear on the north west. The view is from approximately the same angle as the photograph above.
Image:Thornber.net
In 1696 it passed by inhertance from Humphrey Packington's daughter, Lady Mary Yates, to the Throckmorton family, who were based at Coughton Court. Probably as an economy measure they demolished the north wing and the Great Hall on the western side about 1700, leaving a rather lop-sided plan. A model in the house indicates the rather grander appearance the Hall originally had. The house was partially occupied by relatives and by the priest but gradually decayed, and by 1826 the family had moved elsewhere and much of the top floor was unfurnished; by 1904 it was described as `hastening to decay'. However in 1923 it was bought by a benefactor, Ellen Grant-Ferris, and given to the Archdiocese of Birmingham and is now managed through a voluntary committee. Restoration work over the years has revealed the wall paintings and is a continuing process to enhance the building and its setting.The wall paintings, though faded, do indicate the often lavish and colourful decoration of houses in the period.
Amongst the items on display are some very fine vestments - one associated with St John Wall, who was martyred in 1679 and who had ministered at the Hall. These are displayed near the old chapel in the upper part of the building. Originally the walls and ceiling were covered with a trailing design of flowers whcih must have made the chapel into a simulation of a floral bower.
The official website of Harvington Hall can be seen here. I would certainly recommend the Hall for a visit by anyone interested in recusant history or more generally in the history of the period.
Adjacent to the Malt House, and backing on to the moat, is the Georgian Chapel.