Once I was a clever boy learning the arts of Oxford... is a quotation from the verses written by Bishop Richard Fleming (c.1385-1431) for his tomb in Lincoln Cathedral. Fleming, the founder of Lincoln College in Oxford, is the subject of my research for a D. Phil., and, like me, a son of the West Riding. I have remarked in the past that I have a deeply meaningful on-going relationship with a dead fifteenth century bishop... it was Fleming who, in effect, enabled me to come to Oxford and to learn its arts, and for that I am immensely grateful.


Showing posts with label Peterborough Cathedral. Show all posts
Showing posts with label Peterborough Cathedral. Show all posts

Sunday, 31 May 2015

Trimity Sunday


Today is the Solemnity of the Most Holy Trinity - a few images posted by Gordon Plumb on the Medieval Religion discussion group:

York Minster, sXXVIII, 4a, c.1450:

Leicester, Jewry Wall Museum, Roundel showing Trinity crowning Mary, late 15th century.:

York, Holy Trinity, I, 1c, the same subject of c1470:

York, Holy Trinity, I, 2c, Trinity with Christ as Corpus Christi":

Stamford, Browne's Hospital, sII, Throne of Grace or Gnadenstuhl Trinity, c.1475::

Greystoke, St Andrew, Cumbria, sIII, 2b, Trinity shield:

Salle, St Peter & St Paul, I, 2d, angel holding Trinity shield:

Prof Maddy Gray added a note about the repainted Trinity at St Teilo's chuirch now re-erected and restored at the Welsh National History Museumwith a link to the following account of that painting:
and added that originally the fragmentary wall painting was identified as a Christ in Majesty and it had to be repainted when the text at the bottom was identified

As an addendum to the images in glass John Dillon posted some later medieval images of the Trinity in other media:

a) The Trinity (at centre) as depicted on a later thirteenth-century altarpiece (1260s) from Soest now in the Gemäldegalerie in Berlin (image greatly expandable):

b) The Trinity as depicted in an earlier fourteenth-century fresco (1317 or later) in Perugia's chiesa di Sant'Agata:
Detail view:

c) The Trinity (upper right) as portrayed by Michiel van der Borch in an earlier fourteenth-century copy (1332) of Jacob Maerlant's Rijmbibel (Den Haag, Museum Meermanno, cod. 10 B 21, fol. 118r):

d) The Trinity as portrayed in the earlier fourteenth-century Hours of Jeanne of Navarre (ca. 1336-1340; Paris, BnF, ms. Nouvelle acquisition latine 3145, fol. 11r):

e) The Trinity as depicted in the mid- to later fourteenth-century Breviary of King Charles V (betw. 1347 and 1380; Paris, BnF, ms. Latin 1052, fol. 154r):

f) The Trinity as portrayed in a mid-to later fourteenth-century copy (before 1376) of Guiard des Moulins' Bible historiale (Paris, BnF, ms. Français 161, fol. 1r):

g) The Trinity as portrayed on a late fourteenth-century boss in the west porch of Peterborough Cathedral (cf. C. S. Lewis' Christ-figure Aslan, often a maned lion, sometimes a bird):

peterborough cathedral porch boss

This boss under the late fourteenth century western porch shows the Trinity, with the Father as the sun holding up Christ's wounded hand whilst the Holy Spirit takes the form of a dove. 

I would add that this is an image I have not seen before and it is quite extraordinary - Clever Boy

h) The Trinity as portrayed on an early fifteenth-century boss (ca. 1402-07) in the south porch of the church of St. John the Baptist, Peterborough:

i) The Trinity as depicted by Antonio Martini of Atri in an early fifteenth-century fresco (ca. 1410) in the basilica cattedrale di Santa Maria Assunta in Atri (TE) in Abruzzo:
Detail view:

j) The Trinity as depicted in an early fifteenth-century panel painting (ca. 1410 or ca. 1423-25) by Andrei Rublev in the State Tretyakov Gallery, Moscow:

k) The Trinity as depicted by Masaccio in an earlier fifteenth-century fresco (ca. 1425-27) in the left aisle of Florence's chiesa di Santa Maria Novella:

l) Jerome's vision of the Trinity (at left St. Eustochium; at right, St. Paula of Rome) as depicted by Andrea del Castagno in an earlier fifteenth-century fresco (ca. 1444-1445) in the chapel of Girolamo Corboli in Florence's chiesa della Santissima Annunziata:

m) The Trinity as portrayed on a fifteenth-century boss in the south porch of the church of St Margaret, Lowestoft (Suffolk):

n) The Trinity as portrayed in a later fifteenth-century apse fresco in the chiesa di San Nicolao in Giornico (canton Ticino):



I would add to these examples the fact that in the late middle ages the Trinity were often depicted crowning the Blessed Virgin Mary as opposed to that act being performed by Christ alone.

In the sixteenth and seventeenth centuries reformation attitudes to depictions of the Trinity were strong, based on the Second Commandment, and many such images were doubtless destroyed.

Tuesday, 14 October 2014

English Iconoclasm IX


Nothing so encapsulates English iconoclasm in the Reformation period and in subsequent centuries than the attack on the cult, on the veneration, on almost even the name, of the Blesed Virgin Mary. Mary's Dowry appeared more tha anxious to expunger her from its collective life and worship.

I have already mentioned the 1538 burning of several famous statues of her as well as other devotional imagess, and in the first years of the Elizabethan settlement there were similar scenes - what I wonder did the good people of Sleaford in Lincolnshire think in 1560 when the Crucifix was taken out from their parish church of St Denys and burned in the market place outside?

Lady Chapels in churches attracted the attention of zealous reformers. At Ely cathedral the wondrous fourteenth century Lady Chapel lost all its glass and every statue in the canopy work around the arcades was meticulously decapitated.


 The Lady Chapel of Ely Cathedral

Image: paradoxplace.com

As I heard Eamonn Duffy point out in a lecture here in Oxford folk-memory and shifting blame comes into play here: on a visit to Ely he heard a guide explain that this was all due to Oliver Cromwell (a local boy made bad on emight add), and ignoring the fact that the damage is the responsibility of the Bishop of Ely under King Edward VI... a case of blaming "the other".

(I will not comment on the rather bizarre figure of the Virgin which has been placed there in recent years and can be seen above the altar in the photograph - I am not sure who is to "blame " for that.)

In other case the church might survive, but the Lady Chapel was deemed extraneous and pulled doem to save on repairs or to provide stonework as at Tewkesbury abbey, saved by the townspeople at a scrap value of £453. Nonetheless the chapel, which contained tombs of fifteenth century lords of the manor and patrons of the abbey, was later demolished.


The site of the Lady Chapel at Tewkesbury Abbey

The line of the vault can be seen, and the foundations are marked out in the turf in the foreground

Image:sydneythehoundofheaven.blogspot

At Norwich cathedral the Lady Chapel was demolished and only partially rebuilt in the twentieth century as a memorial to the Great War, whilst at Peterborough the Lady Chapel, situated rather like that of Ely cathedral to the north-east of the main church, and free standing on three sides was demolished for its stone in the 1650s and a country house, Thorpe Park, built with the materials.
 

Peterborough Cathedral - First Burial, Mary Queen of Scots - Preview Image

Peterborough Cathedral from the north in the seventeenth century by Daniel King 

The Lady Chapel can be seen to the left of the north transept, and flanking the presbytery, whils the north-west tower still has a spire

Image;awesonestories.com

At St Albans and at Sherborne the Lady Chapels survived because they were used as grammar schools until the nineteenth and early twentieth century restorations returned them to ecclesiastical use.

The English liturgy was purged of virtually all Marian devotions in 1548, and little survived beyond the feasts of her birth and, surprisingly perhaps, conception. In Oxford University the feast of the Assumption survived as a lesser commemoration, and as it still exists in the University Calendar.


In Oxford the University Church of St Mary the Virgin had a new porch built in 1636-37 by the mason Nicholas Stone at a cost of £230. This was adorned with a statue of the Virgin and Child, and in 1644 this was one of the capital charges  brought against Archbishop Laud by the Parliamentarians, on the basis that Laud as Chancellor of the University had sanctioned this. The statue had attracted the respect and indeed devotion of some University students and was blasted by a Parliamentarian musket when the army left the city at the beginning of the Civil War. A modern replacement now occupies the niche.


photo

The South porch of St Mary the Virgin Oxford, with the statue of the Virgin and Child

 Image:David Nicholls on Flickr

Medieval statues which survived often did so in exile. Thus the statue now designated Our Lady of Westminster was, as the link explains, rediscovered and on sale in France in 1954, and acquired for Westminster Cathedral. A copy of it is now a replacement for the statue of Our Lady of Pew in Westminster Abbey, which appears to have been the original focus of King Richard II's vow of England to Our Lady as her Dowry in 1381.

http://upload.wikimedia.org/wikipedia/commons/c/c2/OLWestminster.jpg 

Our Lady of Westminster

Image: Wikipedia

In the link about the statue it is worth noting the reference to exports from 1550, with three ships loads heading for French cities. There is also the reference to a near identical figure, but headless, which was found in 1863 buried in the churchyard at Broughton in Craven. That was a recusant area, with the Tempest family as local lords. Maybe they decided decent burial was the appropriate thing for a vandalised statue.

Near Oxford at Sandford on Thames a fine carving of the Assumption was found upside down and being used as a step in the church porch in the eighteenth century. I have posted about it and illustrated it in Assumption at Sandford on Thames.

In the crypt of York Minster is the statue now known as Our Lady of York. I think this was rediscovered during the restoration of the choir after the arson of 1829, and that it was found buried in the east wall. I wonder if, as an already old sculpture that was venerated, it had been re-enthtoned in Archbishop Thoresby's Lady Chapel in the late fourteenth century, vandalised in the sixteenth century and buried in the wall behind where it once was honoured?




  The statue of Our Lady of York

Image: carmelite.org

Vandalising statues in churches in your own country is one thing, but going abroad to do so is adding to the fault, and leads to the story of Our Lady Vulnerata at Vallodolid, which is as follows on the English College website :


In the great reredos of the Chapel of the English College, Valladolid, is the statue of Our Lady Vulnerata. The story of this statue begins in the reign of Queen Elizabeth I of England, in 1596. Spain had recovered from the defeat of the Invincible Armada and was gathering another fleet in the port of Cadiz, on the Atlantic coast of southern Spain. The Earl of Essex, together with Sir Walter Raleigh, led an English fleet into the harbour, destroyed the Spanish fleet and took possession of the city.

Some of the English troops ran riot and dragged a statue of the Virgin Mary and Child from a church to the market square where they desecrated it. They hacked at the face and cut off both arms. All that remained of the Child were parts of his tiny feet on His Mother's knee.



Our Lady Vulnerata

Image:sanalbano.org 
 
The mutilated statue was given greater honour than ever and the Countess of Santa Gadea, wife of the Governor of Castille, gave it place of honour in her chapel in Madrid.
The staff and students of the English College in Valladolid asked the Countess for the right to make reparation for the behaviour of their fellow countrymen who had desecrated the statue. Reluctantly she agreed and the statue was brought to Valladolid and installed with great solemnity in the College Chapel in 1600. Queen Margaret of Austria, wife of King Philip III of Spain, who was present when the statue was installed, had asked for a novena in honour of Our Lady. On the last day of the novena the Bishop of Palencia gave the statue the title of Our Lady Vulnerata (which means wounded and insulted).

The Chapel was renovated in 1979 to mark its third centenary. More recently the façade was restored and the main doors renewed at the end of 1985; and the Chapel was opened to the public.

Every week, to this day, special prayers are offered in reparation for the insults to Our Lady and the Child Jesus and to implore the intercession of Our Lady Vulnerata for the conversion of the people of England and Wales. 


Every year during Holy Week the statue is processed along the street, where it is met by a huge 'paso' or float, which has a large depiction of the Crucified Christ resting on top of it. The two images meet, and dance to each other for a brief period,  - then the Vulnerata comes back to the College.
The story of the statue is depicted in eight paintings around the walls of the College Chapel.
The Mass of Our Lady Vulnerata is celebrated in the College by special indult on the Sunday following the feast of the Immaculate Conception.
In the year 2000, the fourth Centenary of the arrival of the statue of Our Lady Vulnerata, after further renovation of the College Chapel, the statue was given a new crown, a gift from the old boys of the College, at a solemn ceremony on the Feast of the Forty Martyrs of England and Wales.

Text adapted from: sanalbano.org 



                                                 
Prayer to Our Lady Vulnerata

Dear Mother, as I gaze on your wounded and mutilated image, I humbly beg your pardon for the grievous insults to you, great Mother of God. Help me to notice the wounded children of the world, and see your beauty in the faces of the poor and disfranchised. Let me love them better, as your Son commanded. I praise you through the faith, loyalty and blood of the missionaries who prayed for courage before your image, and I ask you to keep today’s missionaries in your loving care as they, too, carry the Good News throughout the world. Amen

Image and text: whitesmokeahoy.blogspot.co.uk 


Concluded 

Wednesday, 1 August 2012

The Funeral of Mary Queen of Scots


In February I posted Fotheringhay February 8th 1587 about the execution of Mary Queen of Scots. As she herself is supposed to have remarked that day "In my end is my beginning" and her story had by no means ended.


The way the burial of her body was organised is indicative of the double think on the part of the government, exemplified by Queen Elizabeth sending William Davison, the Clerk of the Privy Council who had dispatched the death warrant with Elizabeth's signature to Fotheringhay, to the Tower for 19 months in punishment, and her protests that she did not wish the sentence to be carried out.


After the execution the clothes Mary had worn for her death were burned - which would suggest that those which survive and are displayed as such may at best be from her wardrobe, but not that they were worn on that fatal day. The government wanted to avoid relics. Mary's head was displayed for part of the day in a window of the castle and her body embalmed - the internal organs were removed and buried within the castle. The fact of her embalming indicates a respect not normally shown to victims of execution. But what to do with her body? Unlike victims at the Tower of London, buried in virtually anonymous graves in St Peter ad Vincula, for Queen Mary something grander was envisaged. Her request to be buried in France was denied - and it is not difficult to see why - but instead she received an Anglican state funeral with full heraldic honours in Peterborough cathedral.


Peterborough had seen something similar fifty one years earlier, in 1536, when the Princess Dowager - i.e. Queen Katherine of Aragon  - was interred as the widow of Prince Arthur, rather than as Queen.


Not until late July were preparations complete, including imperoving the roads for the cortege to travel the twelve miles from Fotheringhay eastward to Peterborough where the funeral was finally held on Tuesday August 1st 1587. Local dignitaries and the late Queen's household participated and established Church was represented by two Bishops, those of Peterborough and Lincoln. The Dowager Countess of Bedford acted as chief mourner.


In his sermon William Wickham, Bishop of Lincoln stated that he would say nothing of the late Queen's life or death as he had witnessed neither himself.


She was buried in the South Choir Aisle, opposite Katherine of Aragon, and following the service Bishop Richard Howland of Peterborough gave a dinner for the mourners in his palace which adjoins the cathedral.
 


Peterborough cathedral as it would have appeared in 1587

Image: Wikipedia 

photo


The flags are on the opposite side of the aisle to the original burial place


Image: Le Monde1 on Flickr


A collection of contemporary tracts describing the1587 funeral and also the later ceremonies in 1603 and 1612 was published in 1890, and makes for very interesting reading if you have an eye for sixteenth and sevemteenth century ceremonial. The collection can be read online rhere.




Peterborough in 1610 - very much as it would have been in 1587

Image: peterborough-stjohns.org.uk


The parish sexton, Robert Scarlett, buried both Queen Katherine of Aragon and Queen Mary of Scots, and is himself buried in the cathedral, having died in 1594 at the age of 98. His portrait is still in the cathedral



Image: peterborough-stjohns.org.uk

Under the portrait are these lines celebrating his career:
"You see old Scarlitt's picture stand on hie,
But at your feete here doth his body lye.
His gravestone doth his age and Death time show,
His office by thes tokens you may know.
Second to none for strength and sturdye limm,
A Scarebabe mighty voice with visage grim.
Hee had interd two Queenes within this place
And this townes Householders in his lives space
Twice over: But at length his own time came;
What for others did for him the same
Was done: No doubt his soule doth live for aye
In heaven: Tho here his body clad in clay".
It may seem far fetched to suggest that Old Scarlett buried two people from every Peterborough household during his life, but as the population at this time was probably around 1,500, and Peterborough saw its first outbreak of plague in 1574, he may well have accomplished that feat in his 98 years, especially given his "strength and sturdye limm" 

Source: TimeTravel-Britain.com

In 1603 Queen Mary's son, now King James I of England, sent Garter King of Arms with a pall decorated with Mary's arms to place on her tomb. A new tomb for her in Westminster Abbey was commissioned in 1606 from Cornelius Cure and, following his death the next year completed by his son William.  

Finally on October 11th 1612 came exhumation from Peterborough. A modern plaque and the Royal and national flags of Scotland today mark the site of the grave. Queen Mary's remains were taken for reburial at Westminster in the south aisle of King Henry VII's Chapel, opposite Queen Elizabeth I. who lies in the north one. Queen Mary I had planned to rebury her mother Queen Katherine at Westminster and provided for a joint tomb in her will in 1558, but that plan was never carried out. Queen Elizabeth I did nothing to recover the body of her own mother from its ignominious grave in the Tower of London. King James may have had no personal memory of his mother - they were seperated when he was only a few months old, but in death he honoured her, and perhaps by burying her at Westminster implied not merely that she had given him his title to the English throne, but that she was herself its rightful occupant.





Thursday, 2 September 2010

Peterborough Cathedral

When I was in Peterborough last week I did not have an opportunity to make a return visit the cathedral, which is a wonderful building, but not particularly well known by the general public. The west front is one of the most awe-inspiring facades in the country, if not indeed in Europe, and the impact of one's first sight of it remains in the memory long afterwards, indeed is virtually unforgettable. For a monastic church, and one that did not have a major pilgrimage shrine, it is all the more remarkable. It was usually the secular canons who built cathedrals with majestic west fronts, not the Benedictines. Perhaps it was a compensation for not risking building a commanding central tower, which the Benedictines did do, given the lack of a strong sub-stratum of rock.

Peterborough Cathedral oblique view.jpg

Peterborough Cathedral as it is today

As with other cathedrals it has suffered from the reformation and civil war - the latter saw the cathedral being sacked in 1643 and from neglect and the removal of features deemed to be surplus to requirements. Thus the Lay Chapel was demolished in the 1650s and the stone used to build a country house on the oustskirts of the city - Thorpe Hall, which is a fine example of its period - and the spire on the north-west tower was removed in the eighteenth century, presumably to save the expense of repairing it. If I had a say in the matter it is a feature I would want to see restored. Here is an engraving showing the west front with the spire still in place:

File:Peterborough Cathedral - West prospect C17 - Project Gutenberg eText 13618.jpg

Quite apart from looking at the architecture I would also liked to have had the opportunity to pay my respects to Queen Katherine of Aragon, who is buried in the cathedral. Her tomb was one of those destroyed by the Parliamentarians in 1643. This is where she is buried:

Go to fullsize image

One of the city of Peterborough's minor claims to fame is that it is said to be the last place in England where sedan chairs were used as a regular means of transport into the early nineteenth century, before the railways changed its character of the city from a sleepy cathedral city to an industrial town.