Once I was a clever boy learning the arts of Oxford... is a quotation from the verses written by Bishop Richard Fleming (c.1385-1431) for his tomb in Lincoln Cathedral. Fleming, the founder of Lincoln College in Oxford, is the subject of my research for a D. Phil., and, like me, a son of the West Riding. I have remarked in the past that I have a deeply meaningful on-going relationship with a dead fifteenth century bishop... it was Fleming who, in effect, enabled me to come to Oxford and to learn its arts, and for that I am immensely grateful.


Wednesday 2 October 2024

The Chapel of the Guardian Angels in Winchester Cathedral


Today is the Feast of the Guardian Angels.

In 2020 I posted the Breviary Mattins readings from St Bernard of Clairvaux, together with a picture of the thirteenth century vault painting in the chapel dedicated to the Guardian Angels in the retrochoir of the cathedral at Winchester. This can be seen at St Bernard on the Guardian Angels
 
I had previously posted about the vault paintings in 2012 in a piece which can be seen at Guardian Angels at Winchester

This draws attention to the similar scheme which can be seen extending over the vault of the choir and eastern transepts of Salisbury Cathedral and which must be from the same period. I am not sure how extensively that scheme has been restored. In the south transept of Lincoln Cathedral is a restored vault decoration of foliage which must be in origin also of that period and probably part of a much more extensive scheme. The idea a blue ground with stars, which is part of the Winchester arrangement, became very popular and was a feature of the fourteenth century Lady Chapel at Ely and the nave and choir vaults of York Minster from that same century. Remains of a similar starry vault can be seen in the chapel at Rycote in Oxfordshire. Such schemes survive on the continent.


File:Winchester Cathedral Guardian Angels Chapel (5697546854).jpg

The vault of the Chapel of the Guardian Angels in Winchester Cathedral
Image: Wikimedia


I have now found a more detailed online account of the paintings, and their relationship to the court painters of King Henry III, with his close connections with the cathedral and city, an article which can be seen here


A further insight into the later medieval appearance of the interior of the chapel - and of the ruthlessness of sixteenth century iconoclast “reformers” - can be obtained from an article in the Hampshire Field Club and Archaeological Society from 1990 which discusses and identifies figures from the reredos of the chapel. It can be seen online here 


May the Guardian Angels ever defend us



1 comment:

Zephyrinus said...

Another outstanding Article, John.

Most grateful.