Repainting Chartres Cathedral

A post on the Medieval Religion discussion group draws attention to a highly critical online article about the repainting of the interior of Chartres Cathedral. The article in question, which has some illustrations, can be seen at http://www.nybooks.com/blogs/nyrblog/2014/dec/14/scandalous-makeover-chartres/

Not having visited Chartres since this project began I am not well placed to comment on the project. A couple of years ago in Restoration at Chartres I drew attention to criticism and defence of this work as it was then being undertaken, and the couple of comments that attracted indicate the diversity of opinion about the matter. Indeed the second almost anticipates the comments of the author of the recent article.

I am still inclined to favour the renewal of the original scheme, if that can be reliably reconstructed, and the point has been made on the discussion group that given the nature of modern artificial lighting - clearly very different from what was available in the middle ages - that maybe that should be adjusted when teh scheme is finished.

Keeping things as they are in such buildings is tempting, but may well be unhistorical, and little better than managed decline.

The Dream of the Rood

Today is the Feast of the Exaltation of the Holy Cross - known also as the Triumph of the Holy Cross in the modern Missal.

There is a history of the feast day and its different expressions by different communities here.

There are interesting articles about the feast in Feast of the Exaltation of the Holy Cross, which looks at early Christian devotion to the Cross and their understanding of it, and is from the Project Canterbury site, in Exaltation of the Holy Cross from a specifically Catholic standpoint, and  Elevation of the Holy Cross from an Orthodox one.
 

Recently I was reading an anthology of Anglo-Saxon texts, which included the celebrated and important  text The Dream of the Rood, a meditation upon the Crucifixion spoken by the Cross itself.

There is an online introduction to the poem at Dream of the Rood

An impressive electronic edition by Mary Rambaran-Olm, which includes the original Old English text, a modern English parallel translation, textual notes, glossary and manuscript images can be viewed at Enter Dream of the Rood.

Translations by Richard Hamer can be found at The Dream of the Rood: ,by Elaine Treharne at The Dream of the Rood, Modern English Version and by Charles W. Kennedy at The Dream of the Rood.

Two online artickes about the poem and its historical and cultural context can be found at

Dream of the Rood and the Image of Christ in the Early Middle Ages, an article by Jeannette C. Brock shows how the image of Christ in the poem reflects the heroic ideals of the period rather than the original biblical accounts, and from Julia Bolton Holloway's Umilta site at Hilda and Caedmon: The Dream of the Rood.

The fact that part of the text of the poem is inscribed in rune son the Rthwell Cross in Dumfrieshire is well known as an important indicator of culture in the Northumbrian artistic tradition. The cross and its history and decoration ate considered in the article Ruthwell Cross which also outlines the debate about whether the runic inscription is original to the cross or added at a later date in the Anglo-Saxion era.

The Ruthwell Cross 
Reconstructed and reassembled in the nineteenth century it is now inside the church at Ruthwell

Image:dumfriesmuseum.demon.co.uk 

Crosses such as that at Ruthwell and Bewcastle and the many other less well known ones which survive in part or as fragments in churches across much of northern England would have been painted. A copy of the Ruthwell cross was recently recoloured to indicate what they would have looked like.

 

Reconstruction of the north face of the Ruthwell Cross by John Prag, 
formerly in Manchester Museum

 Image © John Prag/oucs.ox.ac.uk

There is more about this colour reconstruction here.