Monday, 15 September 2025
A further video critique of “King and Conqueror”
Sunday, 14 September 2025
Another critique of “King and Conqueror”
Wednesday, 10 September 2025
Further historical criticism of “King and Conqueror”
King and Conqueror’s most gruesome death should never have happened and would be “totally out of character”
Historian Tom Licence takes issue with one of King and Conqueror’s most egregious historical liberties

The eight-part drama begins with the coronation of King Edward the Confessor and ends exactly where you think it would, with King Harold Godwinson, the last crowned Anglo-Saxon king of England, dead on the field at Hastings with an arrow in his eye.
That’s a span of more than 20 years – and as such there is a lot of editing of the historical record going on.
Some important characters are missing, and not just Edgar Aetheling, the claimant many overlook in the 1066 story. Events happen out of order. And a lot of real historical figures die in times, places and ways that raise eyebrows.
But one particular plot point is so shocking, so unexpected, that we put it to medieval historian Tom Licence to get his reaction. And it’s such a massive spoiler that we’ve hidden it after these two images of the show's leads, James Norton as Harold and Nikolaj Coster-Waldau as William the Conqueror.
If there is anyone whispering in his ear, it is his mother, Emma of Normandy.
The real Emma was queen consort to both Aethelred the Unready and Cnut the Great, the only woman to have married two English kings. Two of her sons were also kings, first Harthacnut, and then Edward the Confessor. For her whole life, she had been an able political player.
In King and Conqueror, she is vicious and manipulative, a woman who dominates Edward and goads him for his failures. She is the power behind his throne.
When Edward finally snaps, he does so totally and utterly. In a moment of red mist worthy of Game of Thrones, he beats his mother to death with his crown.
Did Edward the Confessor beat his mother Emma of Normandy to death with this crown?
“Beating someone to death with his own crown? I mean, no, I don't think Edward did that, not to his mother.”
That’s the view of historian Tom Licence, who was speaking to us while recording an episode of the HistoryExtra podcast on Edward’s life.
“We can't be absolutely certain, but that would be totally out of character and wouldn't fit with my understanding of their of their relationship”
That’s the view of historian Tom Licence, who was speaking to us while recording an episode of the HistoryExtra podcast on Edward’s life.
“Edward's way of punishing people was to take away their assets or to put them into exile. He hit them in the pocket, not over the head,” says Licence.
“He was not that sort of ruler. I could imagine Cnut the Great doing that. I could definitely imagine Aethelred the Unready doing that.”
Aethelred the Unready was Edward’s father, and the man behind the St Brice’s Day Massacre of 1002 – the attempted slaughter of all the Danes living within his lands as revenge against the Viking incursions. Cnut was the king who claimed the throne through during the Danish Conquest of 1016, which is why Edward spent his youth in exile in Normandy.
What happened to the real Emma of Normandy?
There’s no record that the real Emma of Normandy was murdered, by her son or otherwise – but she was removed from the royal court.
Emma had all the cards before Edward becomes king, but there's a very clear turnaround, says Licence.
“As soon as Edward gets on the throne, Emma's power is broken. He takes away her wealth, he deposes her favourite bishop, her lands are removed from her and she's sent, pretty much into retirement to Winchester, where she lives out her days”
Emma died in Winchester of an unknown cause in 1052, almost a decade after she was sent there. “There's a good 10 years where she's doing nothing and has no influence whatsoever,” Licence points out.
But there may have been another woman guiding Edward after Emma was removed from court – his wife, who happened to be Harold Godwinson’s sister.
“The way I see it, Edith of Wessex, takes over [Emma of Normandy’s mantle]. Emma ceases to appear on the charters. Edith appears, and she is the one who's there at his councils and helping him make his decisions.”
It was Edith who commissioned a tract called The Life of King Edward, which is one of the prevailing sources for our view of Edward as a pious ruler.
Edith, whom Edward marries in 1045, is the person who's orchestrating his theatricality,” says Licence.
“She embroiders his garments, she commissions goldsmiths to make all the jewels that he wears, and she ensures that when he walks on stage in front of the public … he looks like a saint, like some patriarch from the Old Testament, like someone almost divine.”
What was Edward’s relationship like with his mother?
While the real Emma and Edward may not have been at each other’s throats, historian Tom Licence characterises their relationship as being distant and predominantly political.
“Today we might think of this in terms of parental neglect or a mother not looking after her son as she should,” says Licence.The
“And what Edward felt was that all through those years in exile she hadn't done enough to support him, to promote his claim to the throne, to help him come back to England.”
What Emma had done instead was marry Cnut – and then had children with him.
“He had become king in Edward's place, so you could just imagine how Edward would be feeling, how his mother had maybe betrayed him and allowed her new son to replace him – almost like a cuckoo in the nest.”
Nonetheless, Licence doesn’t think that sense of betrayal would manifest into physical violence. He does, however, have a theory as to why Edward was depicted this way in King and Conqueror.
“A previous biographer who didn't like Edward very much wrote that he was the sort of man who probably beat his wife. I don't think that's justified, or that we have any warrant for that.
“And beating to death Emma, with a crown? No, no. Just, no.”
Rather than using photographs from “King and Conqueror” I have added here an eleventh century depiction of Queen Emma
Sunday, 31 August 2025
“King and Conqueror “ - an academic’s critique
Episode one
False: Harold saved William’s life.
The future William the Conqueror is invited over to England for Edward the Confessor’s coronation and, on arrival, he and his men are attacked, but saved by Harold Godwinson (who later succeeds Edward to the throne), who does not know who they are. This is all made up: William was not at the coronation (and was a teenager at the time). In the series, this is the beginning of a sequence of parallels and back-and-forths between William and Harold which works well in terms of drama, but doesn’t reflect history. William’s fictional visit does, however, gesture towards the long and complex background between England and Normandy, especially the fact that Edward the Confessor had spent decades of his life in exile in Normandy and probably did feel great affinity with his Norman relatives and friends who had protected him.
False: It was vanishingly rare for two people to have the same name
Many names have been changed, and that grates. Obviously the programme makers think that the audience will get hopelessly confused. The most egregious example here is that Queen Edith (the daughter of Godwin, sister of Harold Godwinson and wife of Edward the Confessor) has become Gunhild (which was the name of her sister). The historical Edith was initially called Gytha (her mother’s name) but was always known as Edith after her marriage and during her queenship. She was never Gunhild.
The series has made another Edith – a fairly shadowy historical figure, who may have been Harold Godwinson’s first wife or long-term mistress – into a major character. Indeed they also change his second wife’s name to Margaret – as she was another Edith.
Episode two
Maybe: Earl Godwin blinded and killed Edward the Confessor’s brother
This may be true. Alfred (here called Aethel) was certainly horrifically blinded and killed after being invited back to England from exile under false pretences. The principal blame is usually ascribed to Harold Harefoot, son of King Cnut and Ælfgifu , but some sources also implicate Godwin (Earl of Wessex, father of Harold Godwinson, and later the father-in-law of Edward the Confessor). Different versions of the Anglo-Saxon Chronicle say different things, so the jury is out.
True-ish: The Godwins were exiled on trumped-up charges
In King and Conqueror, Emma of Normandy (mother of Edward the Confessor) engages in complicated machinations, paying the Earl of Mercia (one of the three most important earldoms along with Wessex and Northumbria) to provoke the Godwins so that ultimately they can all be exiled, as revenge for what happened to Alfred. What actually happened is that there were problems in Dover; Edward ordered Godwin to punish the town’s leaders, but Godwin refused, and Edward seized the disagreement as a pretext to get rid of this too-powerful earl. So the Godwins fled into exile (in 1051). King and Conqueror depicts them all fleeing to Flanders. Some of them did go there, but others – including Harold – went to Dublin. The scene (in the next episode) in which Harold and William meet up in Flanders and sit in baths together talking about how much they love their wives certainly did not happen…
Episode three
False: Godwin made Harold Earl of Wessex over the head of Swein, Harold’s older brother
This did not happen. In King and Conqueror, Godwin relinquishes his title to Harold while he is still alive, bypassing Swein who is violent and unreliable. Historically, Harold did not become Earl of Wessex until 1053, after the death of his father. Swein had died the previous year.
True-ish: Baldwin of Flanders was the lynchpin of Northern Europe
Baldwin, count of Flanders, was a major political player in the eleventh century. In King and Conqueror we see both Norman and English exiles flocking to him, and he dabbles in all kinds of high politics, ending up effectively controlling the throne of France. This is all basically true: he had his finger in all the northern European pies. Emma of Normandy had stayed with him in exile; he had supported her son Alfred; he helped his daughter Matilda’s husband William, and he was indeed regent of France. Some of the Godwins did stay with him in exile and he helped Godwin to return to England with force. There is some serious embellishment of his ambitions at times, especially later in the series when we see him plotting against his daughter, which is not true. (In a different way, it is also puzzling that we see him living in a tent and cooking his own dinner.) But in general, King and Conquerorgets it right in emphasising Flanders’s importance, and Baldwin’s political talents.
Episode four
False: Edward the Confessor beat his mother Emma to death
This is the strangest bit of the whole series. Edward seems to have some kind of psychotic episode and punches his mother to death. This is completely fictional. What actually happened would have made very good drama too, in a more psychological way: a few months after he became king, Edward allied with the earls – including the Godwin family – to exile his mother and take her money and treasure away from her. This was partly in revenge as his mother had never wholeheartedly supported him and had done more for her son by her second husband (Cnut), Harthacnut.
This extraordinary invention is part of the way these characters are imagined in King and Conqueror. Edward is portrayed as a mentally unstable, very weak, religious obsessive, absolutely controlled by his mother – and then suddenly rebelling against this control. He also refuses to have sex with his wife, despite her best efforts. The historical picture does not support this characterisation overall. He and his wife did not have children, but they almost certainly tried. At times in his life, and in his reign, he fought successfully and reigned competently – and he did stand up to his mother. He also went hunting a lot, and seems to have been a vigorous and outdoorsy man, quite different from the character portrayed here.
Emma was an extremely wily and powerful politician for most of her life. She was married to two kings – Aethelred and Cnut – and managed to help two of her sons (Harthacnut and Edward) to be king. She rallied support in Normandy and accumulated great wealth and power. And in her willingness to act strategically, particularly in marrying Cnut who was effectively deposing her own sons, we can see ruthlessness and an eye to the long game.
False: William killed Henry, the king of France
This densely imagined scene, in which William manages to kill his erstwhile ally while hunting and then works with Baldwin to pretend that bandits killed him, is entirely fictional. Part of the alleged motivation – that Henry had killed William’s father – is also fictional. It is true that William and Henry were allies early on, and that Henry then attacked Normandy, so they had a changing and difficult relationship. But this is another one of the made-up murders of this episode.
Episode five
Maybe: Harold was tricked into promising, over holy relics, to support William’s claim
This is one of those things we really do not know. According to King and Conqueror, William and Harold meet in Normandy to discuss the succession. William tricks Harold into taking his hand in public, across holy relics, and demands that he agrees to support his claim to the throne when the time comes. Harold gets out of it by promising to support the rightful king. Cunning! Did any of this happen? This is essentially what is depicted in the Bayeux tapestry, which shows Harold swearing solemnly to support William in this way. We only have this story from Norman sources, and this became part of the Norman story: that Harold swore to support William, and that in taking the crown himself he was betraying both his word and God. Obviously, it was in William’s interests to promote this version of events. But we do not know that Harold went to Normandy at all at this time (c.1064). We can be sure that other things that happen during this visit in King and Conqueror – such as Harold and William’s half-naked mud-fight – don’t reflect the historical record…
Episode six
True-ish: Tostig betrayed his brother
In “King and Conqueror”, Tostig, now Earl of Northumbria, turns against his brother, Harold, because he blames him for the death of his wife and child. It is true that Tostig did betray Harold and allied with Harald Hardrada of Norway, but this was for political reasons. Harold defeated Harald Hardrada and Tostig at Stamford Bridge.
Maybe: Harold deceived a lot of people at the time of Edward’s death
Did Edward name Harold as his heir? In King and Conqueror, Harold makes this up. At the time, English sources generally said that Edward had indeed named Harold, and this wasn’t disputed by the Normans. Although others had a better claim, Harold was in many ways the obvious choice. We also see him putting aside his long-term wife, Edith, to marry Margaret, sister of the Earl of Mercia – portrayed here as an outrageous betrayal. There is some truth in this. Harold had had a long relationship with Edith the Fair, with whom he had children, though it is not clear if they were married. He did marry the sister of the new Earl of Northumbria (Morcar) and the Earl of Mercia (Edwin) – though she was, of course, called Edith too.
Episode seven
False: Almost no time passed between Edward the Confessor’s coronation and death
The whole series takes place in a hugely compressed timescale. Children that are born in the early episodes are toddlers at the end. In fact, Edward ruled for over 23 years. There were years of anxiety about the succession. When William left his wife and child in charge of Normandy, his child was not a toddler but a teenager. The Godwins had been firmly established as the dominant family in England for 14 years by the time Edward died: they returned from exile in 1052 and he died in 1066. Their time in exile was a very short blip amidst decades of dominance. Queen Edith (Gunhild in the series) looks like a teenager throughout, but she was a woman of about forty by the time her husband (Edward) died. Matilda (William’s wife) is already pregnant by the time Edward is crowned but in fact William and Matilda were not married until about 10 years later.
True: A blazing comet was seen in the sky before the Battle of Hastings
This one is true. Halley’s comet was seen in April – admittedly the battle was not until October, but the comet was noticed and interpreted as meaning that change was coming. We’ll see it again around 2061 so who knows what that year will hold.
Episode eight
True: William and Odo pretended that Harold was killed by an arrow in the eye
The Bayeux Tapestry depicts Harold dying with an arrow in his eye.
We see the arrow being placed in Harold’s eye after his death and Odo (William’s brother and the bishop of Bayeux) loudly declaring that it was God’s arrow and yet another sign of God’s will. This is all broadly true to the spirit of what happened. The idea that Harold was killed by an arrow in the eye has become famous because it is depicted in the Bayeux tapestry, but early accounts of the battle do not corroborate this story. In general, the tapestry, although made in England, shows the Norman point of view and was commissioned by Odo. It is a propaganda piece, which is often interested in symbolism and ideology rather than historical fact. This episode does a good job of showing how William and Odo use religion to support William’s claim. It demonstrates how William understood statecraft and the power of images and propaganda. As with the swearing on relics of episode five, these are scenes well-known to many from the Bayeux tapestry, that extraordinary product of the age – coming back to England next year.
“King and Conqueror” is available on iPlayer. Marion Turner is the JRR Tolkien Professor of English literature and language at the University of Oxford.
Postscript by the Clever Boy
I agree with most of what Prof. Turner says but am told that Tostig’s wife rather than dying with their child gave him several -four - children, and, following his death, remarried and bore six more children.
More significantly I do disagree with her in respect of the arrow in King Harold’s eye. Many years ago I saw a feature on the BBC about the inaccuracy of this interpretation of the depiction of the King’s death.
Firstly the inscription indicating his death by its very position refers to the falling armed figure being cut down by the equally armed rider on horseback after the viewer has seen the famous image of the figure with the arrow in his head
Secondly the extremely detailed detailed early nineteenth century engraving of the as yet unrestored tapestry made by the meticulous Charles Stothard indicate that the shaft of the famous arrow was missing but - and it is a very important ‘but’ - Stothard showed the needle holes where it had once been. They indicate the arrow is actually in the standing figure’s forehead, and not his eye socket. Indeed the nineteenth century restorer has had to give a slight bend to the shaft to get it into the figure’s eye.
Apropos the Bayeux Tapestry the creators of this televisual travesty comprised of inaccuracy have ignored the evidence of the embroidery in one other significant area. This is a point missed by Prof. Turner. The Tapestry shows Harold Godwinson and the other leading Anglo-Saxons with long moustaches - possibly even waxed methinks - and Duke William and his companions as clean shaven. So what do the television make up department do? Yes, of course, they make King Harold clean-shaven and give William the Bastard a moustache that would not be out of place in an RAF drama from WWII. Mind you maybe in their view of history perhaps there were bi-planes in the skies over Sussex in 1066..
Saturday, 30 August 2025
“King and Conqueror”
KING AND CONQUEROR REVIEW
The BBC's new Sunday night epic is more Monty Python than Game of Thrones
King & Conqueror, review by Ed Power:
The BBC’s new Sunday night epic is more Monty Python than Game of Thrones
King & Conqueror is a historical epic that, despite its starry cast, doesn’t feel particularly historical or epic
James Norton as Harold Godwinson and Indy Lewis as Margaret in King and Conqueror, a historical drama let down by atrocious dialogue
King & Conqueror (BBC One) kicks off with the most fateful meet-cute in British history – the 1066 clash of kings between Harold Godwinson and William the Conqueror. But these two mortal foes have crossed paths already – as the series spells out when they hail each other mid-battle. “William!”, shouts Harold. “Harooold!”, responds William. It’s an unintentionally hilarious moment – rather than duelling monarchs, they sound like mates who know each other from five-a-side football. It isn’t the only time the viewer will be tempted to laugh out loud during this historical drama.
If Game of Thrones is the standard reference point for this sort of fare nowadays, the comparison that springs to mind watching King & Conquerer – which, after that opening, rewinds to the years leading up to Harold’s last stand in modern east Sussex – is Monty Python and the Holy Grail. All that is missing are peasants digging for dirt and John Cleese wearing a funny helmet.
It does at least have a duo of stellar leads. Sir Hunkalot James Norton commands the spotlight as a dashing Harold Godwinson. So dashing that it’s hard to work out how he’s going to lose England to the ghastly Normans. In the baddie corner, meanwhile, William is played with tremendous earnestness by Nikolaj Coster-Waldau, aka Jaime Lannister from, yes, Game of Thrones.
So dashing is James Norton as Harold Godwinson it’s hard to work out how he could lose control of EnglandCredit: BBC/CBS Studios/Lilja Jons
Jaime was a villain with a heart of gold. But initially, Coster-Waldau’s William comes over as a good bloke who wants the best for his underdog kingdom perched preciously on the French coast. A heroic halo similarly hangs over Norton’s Harold, busy prowling the borders of his father’s kingdom of Wessex, convinced the dastardly Mercians are up to no good.
King & Conquerer is written by Michael Robert Johnson, whose credits include Guy Ritchie’s fun Sherlock Holmes adaptation, and who has been upfront about prioritising drama over biographical fidelity in his latest project. As he told the BBC: “You can’t just dramatise the facts because the peaks and troughs of the emotions are never in the right place.”
Nikolaj Coster-Waldau’s William the Conqueror initially comes across as a well-intentioned underdog.
Historical accuracy indeed flies out the arrow-slit early on as a young William, in England for the coronation of Eddie Marsan’s Edward the Confessor in 1042, rescues Harold from bandits. The foes share an undeniable sizzle in their limited screen time together. Alas, they are cruelly betrayed by atrocious dialogue that swaps out the usual cod-Shakespeare for a disastrous attempt to bring 1066 bang up to date.
“Pull your head out of your arse, Harold!” declares the future King’s bad-boy brother, Sweyn (Elliot Cowan), early on. The various female characters, meanwhile, converse like 21st-century girl bosses parachuted into the Middle Ages. “I’m leaving England – I’m taking the children with me,” says Harold’s wife, Edith (Emily Beecham), as England’s Green and Pleasant Land is about to be washed in Saxon blood.
Elsewhere, there are groan-out-loud concessions to viewers who think Hastings is the aphorism-spouting cop from Line of Duty. “The Mercians crossed our border in violation of the peace agreement,” yells Harold in the first of eight episodes. He all but whips out a map and outlines the various kingdoms with a pointer.
Another misstep was surely the decision to film in Iceland, which is distractingly grim, dark and lacking in trees – and surely bears little resemblance to Harold’s England. Additionally, the budget doesn’t seem to have been the most massive either: 11th-century London is depicted as a single castle with a few cottages scattered about, while every other fortress looks identically lacklustre.
King & Conquerer’s best asset is its cast. Beecham and Clémence Poésy are convincingly gritty as Harold and William’s love interests. It’s got a great villainess, too, in Juliet Stevenson as Emma of Normandy, who plots to drive Harold and his dynasty out of Wessex and install her family from across the Channel as the protector of her son (fantastically hapless Marsan).
But the show never surmounts its massive spoiler problem – we all know how the tale finishes, and there aren’t enough surprises along the way to make the journey worthwhile. In the end, and despite a starry ensemble, King & Conqueror is a historical epic that doesn’t feel particularly historical and isn’t nearly as epic as the subject matter demands.
