The Immaculate Conception of Our Lady

Today is the Solemnity of the Immaculate Conception of Our Lady. 

The Immaculate Conception
by José Claudio Antolinez (1635-1675)

Image: Catholicism Pure and Simple blog

At the Oxford Oratory we have been preparing with the usual Novena in church, but this year, unfortunately, I was only free to attend on a few of those days. Yesterday evening we had a very fine celebration of Solemn Vespers and Benediction.

This lunchtime I attended the Low Mass in the Extraordinary Form at the church and this evening I shall return for the Solemn Mass, at which the preacher will bre Fr Richard Biggerstaff of the St Barnabas Society. At the same time there will be another Extraordinary Form Mass celebrated for the feast at SS Gregory and Augustine here in Oxford

Not only is the Oratory under the patronage of the Immaculate Conception of Our Lady but so also is the Archdiocese of Birmingham, so it has a double significance for us.

There is a useful account of the historical development of the dogma underlying the celebration  here. My post from last year Celebrating the Immaculate Conception has a link to an online article about western and eastern traditions regarding the celebration of the feast and, also from last year, St Anselm on the Immaculate Conception provides the beautiful Breviary reading for today from the works of a former Archbishop of Canterbury and Doctor of the Church.

There is another, less well-known, painting by Antolinez of the Immaculate Conception at The Bowes Museum in Barnard Castle, dating from circa 1670, and is, I assure readers, quite breath-taking to see:

Image: Wikimedia

The painting is, in my opinion, quite lovely - one that stays in the memory with its charm and delicacy and joyful exuberance. Well worth a visit to the Museum for that alone.

José Claudio Antolinez (1635-75) spent most of his painting career working in his home city of Madrid. He commonly painted depictions of the Immaculate Conception, done in a colourful and gentle style, yet also possessing that joyful and exuberant sense. By contrast, Antonlinez himself was known for having a bad temper and a considerable ego. His "haughty character and sarcastic personality gained him many enemies among his contemporaries", and he played maddening jokes on his colleagues. In addition to religious paintings, he also produced several portraits and genre scenes. He died in Madrid from a fever in 1675 after suffering a number of wounds during a fencing match.

Deep night hath come down on this rough-spoken world

And the banners of darkness are boldly unfurled;

And the tempest-tossed Church - all her eyes are on thee,

They look to thy shining, Sweet Star of the Sea.

Fr Faber

Celebrating the Immaculate Conception

  The Immaculate Conception

Jose Antolinez, 1650

Image:Catholicism Pure& Simple

The New Liturgical Movement has a very interersting article today by Gregory Di Pippo about the history of the liturgical observation of the Immaculate Conception by the Church, both in the West and in the East, about monastic customs and significantly, how the observance of the feast in a year such as this, when the calendar date falls on a Sunday has varied. It can be read at Liturgical Notes on the Immaculate Conception.

Immaculate Conception - an Antolinez in England

I have now found an image of the other version by José Antolinez of the Immaculate Conception.

It is in the Bowes Museum at Barnard Castle in county Durham, which has the largest number of Spanish paintings in Britain outside London in addition to its other collections - notably of French eighteenth and nineteenth century art and furnishings. The Bowes is very well worth visiting if you are in the area - it is quite a surprise to find a collection similar in nature to the Wallace Collection in London on the edge of a small northern market town. The website of the museum is here.

Image: Wikimedia

The painting is, in my opinion, quite lovely - one that stays in the memory with its charm and delicacy and joyful exhuberance. Worth a visit to the Museum for that alone.

José Claudio Antolinez (1635-75) spent most of his painting career working in his home city of Madrid. He commonly painted depictions of the Immaculate Conception, done in a colourful and gentle style. By contrast, Antonlinez himself was known for having a bad temper and a considerable ego. His '"haughty character and sarcastic personality gained him many enemies among his contemporaries", and he played maddening jokes on his colleagues. In addition to religious paintings, he also produced several portraits and genre scenes. He died in Madrid from a fever in 1675 after suffering a number of wounds during a fencing match.

Immaculate Conception

We have been preparing for today's Solemnity of the Immaculate Conception here at the Oxford Oratory with the usual Novena in church - I have managed to attend most days, but not, alas, all - and had Solemn Vespers and Benediction yesterday evening. This evening there will be a Solemn Mass. Not only is the Oratory under the patronage of the Immaculate Conception of Our Lady but also the Archdiocese of Birmingham, so it has a double significance for us.

There is a useful account of the historical development of this dogma here.

The Immaculate Conception
by José Claudio Antolinez (1635-1675)

Image: Catholicism Pure and Simple blog

There is another version of this painting by Antolinez at The Bowes Museum in Barnard Castle, and is quite breath-taking to see.

Deep night hath come down on this rough-spoken world

And the banners of darkness are boldly unfurled;

And the tempest-tossed Church - all her eyes are on thee,

They look to thy shining, Sweet Star of the Sea.

Fr Faber