Once I was a clever boy learning the arts of Oxford... is a quotation from the verses written by Bishop Richard Fleming (c.1385-1431) for his tomb in Lincoln Cathedral. Fleming, the founder of Lincoln College in Oxford, is the subject of my research for a D. Phil., and, like me, a son of the West Riding. I have remarked in the past that I have a deeply meaningful on-going relationship with a dead fifteenth century bishop... it was Fleming who, in effect, enabled me to come to Oxford and to learn its arts, and for that I am immensely grateful.


Showing posts with label Bishop Richard Beauchamp. Show all posts
Showing posts with label Bishop Richard Beauchamp. Show all posts

Monday, 13 June 2016

A Lenten and Holy Week visit in 1466 to Reading and Salisbury


This is a post I originally planned to publish at Easter or soon after but it has taken time to get it together.

In 1466 an embassy from King George of Bohemia - George of Poděbrady - which was travelling round teh courts of Europe promoting the King's plan for a union of the various kingdoms and territories ( strangely topical n'est pas? ) spent the latter part of Lent and Holy Week in England and met King Edward IV.

The King of Bohemia was Hussite and was anxious to ease his quarrel with the Papacy and between 1465 and 1467 sent this embassy led by his brother-in-law, Jaroslav Lev of Rosental (c1425-1486). In contrast to the King, who was elected to the throne in 1458, Lev was a devout Catholic and they were thus in opposing camps in the complexities of mid-fifteenth century Bohemian politics. However Lev's sister Johana of Rožmitál had married George Poděbrad in 1450, and  Lev was loyal to his royal brother-in-law. Jaroslav was leader of a delegation of 40 nobles and knights with 52 horses.

Two contemporary accounts of the embassy can be read in  Malcolm Letts (ed) The Travels of Leo of Rozmital through Germany, Flanders, England, France, Spain, Portugal and Italy 1465-1467, and published for the Hakluyt Sociey by Cambridge University Press. One is in Czech by Schascko or Schaseck, who was armour bearer or squire to Jaroslav Lev, and the other is is German by Gabriel Tetzel from Nuremberg. I have differentiated the two by an S or a T and added notes in italics in [ ]

After visiting the court at Windsor, where they venerated the heart of St George and other relics, and where the Bohemian men's long tresses excited wonder and comment - almost a century earlier the Emperor Charles IV was depicted with long hair - was it a Bohemian style? - and the party now moved westward to set sail for France:

S p56
" Windsor is twenty miles from London and Reading sixteen miles from Windsor. It is a village with a large and elegant monastery where dwell priests of the rule of the Virgin Mother of God.
In that church is a picture on the altar and an image of the Mother of God most beautifully executed. So much so that I have never seen its equal nor shall I ever see one to compare with it if I progress to the ends of the earth. No image could be more lovely or more beautiful." [ Alas the painting from Reading abbey is entirely lost - was it perhaps brought from the continent or was it a product of an English atelier? ]

 Image result for REading Abbey

A modern reconstruction of Reading Abbey

Image: Reading Museum

Image result for REading Abbey

 Part of the ruins of Reading Abbey today

Image: Alamy/Daily Mail

S p60
" I have never seen more elegant churches or monasteries than in England. All are roofed with lead and tin, and within they are marvellously adorned "
 Image result for Salisbury cathedral Hollar

 Salisbury Cathedral from the west
The detached bell tower is on the left

Wenceslaus Hollar 1607-77

Image: Salisbury Museum

p61
" Salisbury is an open town but large. There we found another of the King's brothers named George. There is a very large and beautiful monastery [ i.e the cathedral which had a secular and not a monastic chapter ]. When one considers the elegance of the structure both within and without, it is second to none. The tower adjoins it and is built with great skill [ i.e. the detached bell tower destroyed in 1792 - see my post from 2011 Vandalism at Salisbury Cathedral ]  I have nowhere seen more elegant figures. One represents the Mother of God, holding the infant Christ in her arms while the Three Kings offer gifts. The other shows the Angels opening the Sepulchre with Christ rising from the dead, holding a banner in his hand. Both scenes are so represented that they do not appear to be fashioned but alive and actually moving before our eyes. It will not be out of place to mention that they have no lights on the altar at the celebration of the mass, a reminder that the country had three times departed from the Christian faith. [This reference is not clear] The following custom is also observed in this country. On Easter Day and the day preceding, in glorious memory of the Lord's Supper, all take the sacrament in the church and on each altar mirrors are set up." [ ? are these reliquaries]

There follows a description of the Royal Maundy ceremony

Image result for Salisbury cathedral Hollar

Salisbury Cathedral from the north

Wenceslaus Hollar engraving published 1672

Image:TheSaleRoom.com

S p62
"We arrived at Salisbury on the Friday before Palm Sunday. On Palm Sunday my lord with all his company was invited by the Duke [of Clarence] to a banquet which was served most sumptuously as is their custom. Among other courses they served a bird like a duck which is produced in the sea, and which takes no food, but lives only on air."[ Barnacle Goose ]


Image result for Salisbury cathedral Hollar

Salisbury Cathedral from the east, with the bell tower on the right

Wenceslaus Hollar 1607-1677

Image:junglekey.co.uk

T p57
" After this my lord was taken to see several abbeys of the Benedictine Order which are in England. [ CB - Reading pres. ] We saw two churches which are splendid beyond measure, also two splendid pictures and altars, as well as a great golden shrine in which lies St Sigmund [ St Osmund - canonised 1457. The  1536 Treasurer inventory lists ' a great ymage of the holy Seynt Osmund, all of silver and gilt, ornate with stones of divers coloured and weighing 83 ounces ' ] They showed us also a stone which came from Jerusalem wherein is the imprint of Our Lord's foot. It came from the Mount of Olives, from the place where Our Lord used to pray. They showed us also many other famous relics. We saw also some fine carved figures which were so worked with weights that they moved as if to show how the Three Holy Kings brought gifts to our Lady and her Babe, how our Lord reached out to take the gifts, and how our Lady and Joseph bowed and did obeisance to the Three Kings, and how they took their leave. All this was presented with rare and masterly skill as if they were alive. There was also a similar carving showing our Lord rising from the tomb and the Angels ministering to him. This was a splendid and praiseworthy thing to see. [ Malcolm Letts suggest these may have been the work of  Bishop Ralph Erghum before he was translated to Wells in 1388, and where the mechanical clockstill have two jousting knights to mark the hours. If the figures were related to the clock then there is background material on that at Salisbury cathedral clock and Medieval Clock | Salisbury Cathedral] The Abbot [ i.e.Bishop of Salisbury ] showed my lord great honour [p58] and reverence, and gave him a splendid repast in his palace which was hung with tapestries and other priceless things. He conducted my lord also into the choir, where we heard the choir singing which was delightful to hear. [ Bishop Richard Beauchamp 1450-81 ]



King Edward IV and Bishop Richard Beauchamp

Roof Boss at St George's Windsor

Image: St George's Windsor

After this my lord was conducted to the King of England's brother, called Duke of Klaris who was then in England. [ George Duke of Clarence was a member of the cathedral fraternity; at the time he was 17 ]. At this my lord was much pleased and showed the Duke honour and respect. We spent Palm Sunday there and saw a splendid procession showing our Lord's entry into Jerusalem. The Duke himself went in procession and made my lord walk beside him. Afterwards my lord and his attendants had to dine at court, and the Duke and my lord ate together, while my lord's attendants sat with the counts and gentlemen. They provided for us an unbelievably costly banquet lasting three hours, and among other dishes they gave us to eat what should have been a fish, but it was roasted and looked like a duck." [The Barnacle goose again ]



Image result for George Duke of Clarence

George Duke of Clarence

A late sixteenth century portait, arguably from an older source

Image: Wikipedia

This royal entertainment was presumably at Clarendon Palace, which lay two miles east of the city. There are online accounts of it at Clarendon Palace and at Clarendon Park and Palace



Wednesday, 6 April 2016

Visitors for Passiontide and Easter at Salisbury in 1466


Easter Day 1466 fell on April 6th and in the days leading up to Palm Sunday and into Holy Week the city and cathedral at Salisbury were host to a Bohemian embassy led by Jaroslav Lev of Rozmital
[ Rosental ], the brother-in-law of George of Prodebrad [Prodebrady] King of Bohemia 1458-70, whose wife Joanna was Jaroslav's sister. The embassy, which comprised some 40 nobles and gentry, with 52 horses, was travelling around the courts of Europe outlining King George's idea of, well, let's be topical, a European Union.

King George was a moderate Hussite, of whom an online biography can be found at George of Poděbrady, whilst his brother-in-law was a Catholic. There is a biography of him online at Jaroslav Lev of Rožmitál 

The embassy is recorded in two accounts which  have survived and are most easily accessible in The Travels of Leo of Rozmital through Germany, Flanders, England, France, Spain, Portugal and Italy 1465-1467, edited by Malcolm Letts for the Hakluyt Society ( CUP 1957).  Leo of Rozmital is the latinate form of Jaroslav's family surname.


One account was originally written in Czech by Schascko or Schaseck, Jaroslav's armour bearer or squire and the second, of which the manuscript still survives is in German and by Gabriel Tetzel from Nuremberg. As visitors they not always understand local conditions and pronunciation, but this is still a fascinating account. At Salisbury they recorded features otherwise unknown - and in some cases, ones that are well-nigh inexplicable. I have added some explanatory notes in [ ].

At Windsor the party was shown heart of St George and other relics and then travelled westwards:
Schascko wrote that:
"Windsor is twenty miles from London and Reading sixteen miles from Windsor. It is a village with a large and elegant monastery where dwell priests of the rule of the Virgin Mother of God.
In that church is a picture on the altar and an image of the Mother of God most beautifully executed. So much so that I have never seen its equal nor shallI ever see one to compare with it if I progress to the ends of the earth. No image could be more lovely or more beautiful." [p56]

 

A reconstruction of Reading Abbey

Image:skyscrapernews.com 

 Reading Abbey was almost entirely destroyed at the dissolution of the monastery in 1539. the fate of the painting which so entraptured Schascko is unknown, as is its origin.

 http://i.dailymail.co.uk/i/pix/2013/02/05/article-2273773-175C8739000005DC-761_634x464.jpg

The remains of the south transept of Reading Abbey

 Image:dailymail.co.uk

Schascko admired English churches:
" I have never seen more elegant churches or monasteries than in England. All are roofed with lead and tin, and within they are marvellously adorned " [ p60 ]

The party travelled on via Andover to Salisbury


 Salisbury Cathedral from the east by Wenceslas Hollar

The chantry chapels flanking the eastern Trinity Chapel and the detached bell tower were destroyed in the late eighteenth century

Image: Wikimedia
" Salisbury is an open town but large. There we found another of the King's brothers named George
[ Duke of Clarence]. There is a very large and beautiful monastery [Salisbury cathedral which had canons not a monastic chapter. The cloister may have misled teh visitor into thinking it was an abbey]. When one considers the elegance of the structure both within and without, it is second to none. The tower adjoins it and is built with great skill [Presumably the tower and spire at the crossing rather than the detached bell tower]. I have nowhere seen more elegant figures. One represents the Mother ofGod, holding the infant Christ in her arms while the Three Kings offer gifts. The other shows the Angels opening the Sepulchre with Christ rising from the dead, holding a banner in his hand. Both scenes are so represented that they do not appear to be fashioned but alive and actually moving before our eyes. It will not be out of place to mention that they have no lights on the altar at the celebration of the mass, a reminder that the country had three times departed from the Christian faith [This is unexplained - the sarum Use clearly had candles. Was this a Lenten practice?] . The following custom is also observed in this country. On Easter Day and the day preceding, in glorious memory of the Lord's Supper, all take the sacrament in the church and on each altar mirrors are set up." [ This obscure reference might indicate the use of mirrors to amplify the candles on great feast days. My friend Andrew Knowles suggests this may be a confused description of reliquaries]  [p61]

Schascko then describes the Royal Maundy ceremony, although that would have been at the King's Court on Maundy Thursday when the Czechs were elsewhere, heading towards Poole

Schascko adds that: 
"We arrived at Salisbury on the Friday before Palm Sunday. On Palm Sunday my lord with all his company was invited by the Duke to a banquet which was served most sumptuously as is their custom. Among other courses they served a bird like a duck which is produced in the sea, and which takes no food, but lives only on air." [This is barnacle goose, which intrigued both of Rozmital's chroniclers] [p62]

 

Salisbury Cathedral and bell tower from the west by Wenceslas Hollar

Image:salisburymuseum.org.uk

Tetzel's account of the same journey is as follows:

" After this my lord was taken to see several abbeys of the Benedictine Order which are in England.
 [ Reading must be one of these but is not named ] We saw two churches which are splendid beyond measure [ i.e.Reading and Salisbury], also two splendid pictures and altars, as well as a great golden shrine in which lies St Sigmund [ i.e. St Osmund of Salisbury - recently canonised in 1457. In 1536 the cathedral Treasurer's inventory includes ' a great ymage of the holy Seynt Osmund, all of silver and gilt, ornate with stones of divers coloured and weighing 83 ounces ' ] They showed us also a stone which came from Jerusalem wherein is the imprint of our Lord's foot. It came from the Mount of Olives, from the place where our Lord used to pray. They showed us also many other famous relics. We saw also some fine carved figures which were so worked with weights that they moved as if to show how the Three Holy Kings brought gifts to our Lady and her Babe, how our Lord reached out to take the gifts, and how our Lady and Joseph bowed and did obeisance to the Three Kings, and how they took their leave. All this was presented with rare and masterly skill as if they were alive. There was also a similar carving showing our Lord rising from the tomb and the Angels ministering to him. This was a splendid and praiseworthy thing to see. [ the editor suggests this may have been commissioned by Bishop Ralph Erghum before his translation to Wells in 1388, where there still survives a mechanical clock with two knights who joust as the clock strikes] The Abbot [i.e. the Bishop, Richard Beauchamp 1450-81 ]  showed my lord great honour  and reverence, and gave him a splendid repast in his palace which was hung with tapestries and other priceless things. He conducted my lord also into the choir, where we heard the choir singing which was delightful to hear.
After this my lord was conducted to the King of England's brother, called Duke of Klaris who was then in England. [ Clarence who was in his seventeenth year, was a member of cathedral fraternity ]. At this my lord was much pleased and showed the Duke honour and respect. We spent Palm Sunday there and saw a splendid procession showing our Lord's entry into Jerusalem [preseumably at the cathedral]. The Duke himself went in procession and made my lord walk beside him. Afterwards my lord and his attendants had to dine at court, and the Duke and my lord ate together, while my lord's attendants sat with the counts and gentlemen. They provided for us an unbelievably costly banquet lasting three hours, and among other dishes they gave us to eat what should have been a fish, but it was roasted and looked like a duck." [this was presumably at Clarendon Palace, which was two miles east of the city]  [pp 57-8]

The Czechs moved on to Poole, where they spent Easter itself before a stormy crossing to Guernsey and then Brittany.

There is an authoritative detailed online account of the fabric of salisbury cathedral at Tim Tatton-Brown, David Lepine & Nigel Saul (2013) ‘Incomparabilissime Fabrice’: The Architectural History of Salisbury Cathedral c. 1297 to 1548, Journal of the British Archaeological Association, 166:1, 51-98, DOI: 10.1179/0068128813Z.00000000016
To link to this article: http://dx.doi.org/10.1179/0068128813Z.00000000016

The famous clock of Salisbury cathedral, usually claimed to date from before 1386, though some consider the mechanism somewhat later, when it was housed in the detached bell tower, is discussed in dating_salisbury [Clocknet UK].  

The fate of the bell tower is discussed in my 2011 post Vandalism at Salisbury Cathedral  - I see two of my illustrations there have expired, but one remains and can be supplemented by the following one:



 Print Showing the old belfry


                         
                           Salisbury Cathedral in 1759
                                            Image:clocknet.org.uk





This beautifully carved and brightly coloured roof boss, to be found in the easternmost bay of the South Quire Aisle, depicts one of St George’s Chapel at Windsor’s most famous relics, the Cross Gneth. Kneeling on either side of this Celtic cross are King Edward IV and Richard Beauchamp, Bishop of Salisbury, 1450-1481, Dean of Windsor, 1478-1481, and Chancellor of the Order of the Garter, 1475-1481.

Image: St George's Chapel Windsor


https://upload.wikimedia.org/wikipedia/commons/8/8b/George_Plantagenet,_Duke_of_Clarence.jpg 

George Duke of Clarence  

Image:Wikipedia 

Alas we can no longer marvel at the ingenuity of the mechanical figures at Salisbury, which are long gone - presumably at the reformation - but let us be thankful for Schascko and Tetzel, for without them we would know nothing of their existence at all.


Thursday, 11 April 2013

Cross Neith - Y Groes Naid

In my last post I referred to the Cross Neith, and thought I would edit together the entry on Wikipedia - which knows nothing of its history after 1283 -  and some archive articles on the excellent website of St George's Chapel at Windsorto give an account of this once famous and treasured relic.


The Cross of Neith or Cross Gneth (Welsh:Y Groes Naid or Y Groes Nawdd) was a relic believed to be a fragment of the True Cross which had been kept at Aberconwy by the kings and princes of Gwynnedd, members of the Aberffraw dynasty who established the Principality of Wales They believed it afforded them and their people divine protection. Aberconwy had a Cistercian abbey, whose remains are thought to be incorporated in the present parish church of Conway which replaced it as part of King Edward I's series of new towns and castles, and the monks were transferred to a new site at Maenan, further up the river Conwy. With them they took the stone coffin and bones of Prince Llywelyn the Great - the coffin can still be seen in the church at Llanwrst.

The origins of the Cross Gneth, also known as the Croes Naid, remain obscure. It was a reliquary containing a piece of wood believed to be from the True Cross on which Christ had died. It may have derived its name from a priest, Neotus, who supposedly brought the piece of the True Cross to Wales. It is not known when it first arrived in Gwynedd or how the Princes had inherited it, but it is possible that it was brought back from Rome by king Hywel Dda following his pilgrimage in about 928. According to tradition it was handed down from prince to prince until the time of Llywelyn the Last and his brother Dafydd.

Following the complete defeat of Gwynedd and the subjugation of the Principality, following the death of Llywelyn in 1282 and the execution of Dafydd in 1283, this holy relic was taken by the English along with the other spiritual and temporal artefacts, such as Llywelyn's coronet, of the Principality.

The Alms Roll of 1283 records that a cleric named Huw ab Ithel presented this "part of the most holy wood of the True Cross" to King Edward I at Aberconwy. It then accompanied the king as he finished his campaign in north Wales before being brought to London and carried through the streets at the head of a procession in May 1285 which included the King, the Queen, their children, magnates of the realm and fourteen bishops.

The relic was first taken to Westminster Abbey. King Edward I regarded the relic as his own personal property, taking it with him on triumphal progresses through England, Wales and Scotland. During the reign of his son, King Edward II, it was lodged for safety in the Tower of London, where it remained until 1352, when it was given by King Edward III to his newly founded College at Windsor. This was soon after the foundation of the Order of the Garter in 1348. It was to prove an excellent source of income for the Dean and Canons, who benefited both from its prestige (it was accounted the ‘chief treasure’ of St George’s Chapel) and from offerings from the constant stream of pilgrims who came to Windsor to pray before the famous relic, and it remained the focus for pilgrimage and devotion for over two centuries.

In the easternmost bay of the south aisle of the choir of the present chapel is a carved and painted boss which represents King Edward IV and Richard Beauchamp, Bishop of Salisbury 1450-81and also Dean of Windsor 1477-81, kneeling on either side of a Celtic cross which stands on a small mound: this then is the ‘Cross Gneth’ or ‘Croes Naid’.




This beautifully carved and brightly coloured roof boss, to be found in the easternmost bay of the South Quire Aisle, depicts one of St George’s Chapel’s most famous relics, the Cross Gneth. Kneeling on either side of this Celtic cross are King Edward IV and Richard Beauchamp, Bishop of Salisbury, 1450-1481, Dean of Windsor, 1478-1481, and Chancellor of the Order of the Garter, 1475-1481.

Image: St George's Chapel Windsor

In addition, one of the carved angels surrounding the east window holds a Celtic cross and a further coloured boss in the Nave also depicts a Celtic cross.

Below the boss with its depiction of the Cross, the King and the Bishop there are two recesses opposite one another. Below the one on the north side of the aisle is carved an inscription, with the letters delineated in black. It reads as follows:

Who leyde this booke here The Reverend Fader in god Richard Beauchamp Bisschop of this Diocyse of Sarysbury and wherfor to this entent that Preestis and ministers of goddis chirche may here haue the occupacion therof seyyng therin theyr divine servyse and for alle othir that lystyn to sey therby ther devocyon  askyth he any sp’uall mede  yee asmoche as oure lord lyst to reward hym for his good entent praying euery man w’os dute or devocion is eased by thys booke they woll sey for hym this commune Oryson Dne Ihu xpe: knelyng in the presence of this holy Crosse for the wyche the Reverend Fadir in god above seyd hathe grauntid of the treasure of the Chirche to eu’y man xl days of pardun

Who laid this book here? – The Reverend Father in God Richard Beauchamp, Bishop of this Diocese of Salisbury.
And for what? – For this purpose: that priests and ministers of God’s church may use it, saying by it their divine service, and for everyone else who wishes to use it to say their prayers.
Does he ask for any spiritual gift? – Yes, as much as Our Lord wishes to reward him for his good intention, beseeching every man whose duty or prayers are eased by this book to say for him this common prayer: Domine Jesu Christe, kneeling in the presence of this holy cross, for which the Reverend Father in God named above has granted from the treasure of the Church to every man 40 days’ pardon.

The book which would once have lain in the recess was probably a copy of the Sarum Porthos, or Breviary – a liturgical book containing prayers, hymns, psalms and readings according to the Sarum Use, the variant of the Catholic liturgy most widely used in medieval England. A case containing a modern day prayer book now stands in the recess. The ‘Holy Cross’ referred to in the inscription is the Cross Gneth, which is thought to have been displayed in the other recess, and from which its size can be estimated.

The ‘treasure of the church’ is the Treasury of Merit accumulated by Christ and the good works of Catholics, by means of which indulgences may be granted to individuals to reduce the punishment they will experience in Purgatory. In this case, praying before the Cross Gneth  - ‘knelying in the presence of this holy Crosse’ - would earn the amount of pardon equivalent to that gained by forty days of penance.

On the construction of the new St George’s Chapel in the fifteenth century, the boss was installed (in about 1480) as part of the vaulting above the altar and shrine dedicated to the Cross Gneth, which was to be moved there from the old Chapel to the east. What better way could the King, who commissioned the new Chapel, and the Bishop of Salisbury who as Master and Surveyor of the Chapel oversaw its construction, be celebrated in stone, or draw attention to devotion to the Cross?

Listed in the 1534 inventory of the treasures of the Chapel made during the reign of King Henry VIII the Cross remained at Windsor until 1552 when it was confiscated by King Edward VI’s Commissioners, along with the other relics and treasures belonging to the Chapel, and which seem to have ended up in the Tower of London ‘awaiting the King’s further instructions’.


In recent years some Welsh Nationalists have agitated for the return of the Cross. For that, alas, there can be little hope - such a reliquary was, no doubt, less durable than the Stone of Scone has proved itself to be.

In 1963 the post of Wales Herald Extraordinary was established and in 1967 he was assigned a badge, which shows the Cross Gneth encircled by a thirteenth century crown.



The Cross in the badge of Wales Herald Extraordinary

Image: Wikipedia

Tuesday, 15 March 2011

More on the Westminster chasuble at Wardour


Earlier this month I posted about the Westminster chasuble at Wardour and I now see that the New Liturgical Movement has a piece about it with a much better photograph than the one I managed to find. The article can be viewed here.

The accompanying notes show how the vestment ihas been assembled from two seperate ones. The main fabric can be associated with Catherine of Aragon's marriages at the beginning of the sixteenth century, but the embroidered orphreys are a generation older and appear to be linked, through Bishop Richard Beauchamp of Salisbury, with the marriage, which he performed, of Margaret of York, sister of King Edward IV, to Charles Duke of Burgundy in 1468 (not 1408 as it says on NLM).

Bishop Beauchamp was very much associated with the Yorkist court, and he is depicted on a particularly interesting and splendid roof boss of St George's Chapel Windsor kneeling with King Edward IV before one of the great relics of the chapel, the Welsh Cross Gneth. There is a picture and an article about the boss and the Cross Gneth here. As Bishop of Salisbury from 1450-81 and ex officio the Chancellor of the Order of the Garter the Bishop was extensively involved the the King's rebuilding of the chapel in the 1470s.