Once I was a clever boy learning the arts of Oxford... is a quotation from the verses written by Bishop Richard Fleming (c.1385-1431) for his tomb in Lincoln Cathedral. Fleming, the founder of Lincoln College in Oxford, is the subject of my research for a D. Phil., and, like me, a son of the West Riding. I have remarked in the past that I have a deeply meaningful on-going relationship with a dead fifteenth century bishop... it was Fleming who, in effect, enabled me to come to Oxford and to learn its arts, and for that I am immensely grateful.


Showing posts with label Ashmolean Museum. Show all posts
Showing posts with label Ashmolean Museum. Show all posts

Wednesday, 17 May 2017

William Dobson painting for the Ashmolean


The Oxford Mail has a report about the assignment to the Ashmolean by H.M Treasury of a painting by William Dobson. Dobson who succeeded Van Dyke as Court painter, but in the very different circumstances of the Civil War, had a studio in the High Street in Oxford and painted Royalist officers during the war years. Dobson died in London in 1646.

This is the first of his paintings to come into the hands of the Ashmolean and depicts Prince Rupert of the Rhine, Colonel William Legge and Colonel John Russell at a meeting in Oxford. The Prince lodged with his brother Prince Maurice in the High close to where the Covered Market is now.

http://www.oxfordmail.co.uk/resources/images/6349367?type=mobile-gallery-fullscreen

Prince Rupert, Colonel William Legge and Colonel John Russell meeting in Oxford

Image: Oxford Mail/Ashmolean 


Wednesday, 5 November 2014

Mad, bad and dangerous to know


A recent e-mail from a Catholic friend which referred to "poor old Guy Fawkes" has prompted me to post this on the anniversary of the discovery of the Gunpowder Plot.

Whilst Fawkes, a fellow Yorkshireman indeed, was not the instigator, who was Robert Catesby , nor really a prime figure in the conspiracy, after reading Lady Antonia Fraser's very comprehensive account (even if some of the copyediting of background passages leaves much to be desired) in The Gunpowder Plot , and also Alice Hogg's God's Secret Agents, about the Jesuit mission of Fr Garnett, Fr Gerard and others, I do feel the conspirators were mad, bad and dangerous to know.

That their plot is still remembered is a tribute to its mental, if not, physical impact on the English. It did vast harm to chances of any political settlement that would have given more toleration to catholics, and led to the deaths of those such as Fr Garnett and St Nicholas Owen who were not involved in it. Indeed it is interesting that active persecution was not intensified - apart from a few priest martyrs, such as Bl.George Napier here in Oxford,pressure was less than it had been in the years preceding Queen Elizabeth's death in 1603 until the approach of the Civil War. With the Queen consort, Anne of Denmark, a secret Catholic herself, a covert court Catholicism existed as well, of course, as the development of Arminian High Churchmanship with Bishops Andrewes and Montagu, and later the future Archbishop Laud.

A programme I have twice seen on television sought to reconstruct the mechanics of the plot, and indeed to create the explosion that would have ensued had the Plot succeeded. If this was accurate the plotters would have eliminated virtually all the political elite, and rendered the country well-nigh ungovernable. Early seventeenth century English society was hierarchical, and governed by networks of patronage and connection that depended upon effective management from the top. Taking out in one catastrophic blow the King, his immediate male heir, the Lords Spiritual and Temporal and the leaders of the Commons would have made normal processes of government virtually impossible. Chaos,and a vicious anti-Catholic reaction, would no doubt have ensued 

Catesby appears to have not thought much about this. He and a few gentlemen would seize the King's daughter Princess Elizabeth from her home in the Midlands and put her on the throne as a puppet. What as she grew up might have thought of her father and brother's murderers does not seem to have occurred to them, nor that they were displacing the next legitimate male heir, who did, of course, eventually become King Charles I. 


A monochrome engraving of eight men, in 17th-century dress.  All have beards, and appear to be engaged in discussion
The Gunpowder Plotters
Eight of the thirteen plotters are depicted in this contemporary engraving

Image: Wikipedia 

Mad, bad and dangerous to know seems a reasonable summary of the Gunpowder Plotters from any angle.

Here in Oxford, where Catesby's parent once lived in what is now Worcester College and where one ogf his siblings was born, there is a very particular, material, link with the conspiracy - in the Ashmolean is what is traditionally said to have been the lantern Fawkes had with him when he was arrested:

ANTguyfawkeslantern
 
Originally the lamp, which is 34.5 cm high and made of sheet iron, had a horn window, and could also be closed completely to hide the light. Given to the University in 1641 by Robert Heywood, son of a Justice of the Peace who had been present at the arrest of Guy Fawkes in the cellars of Parliament House, when the Gunpowder Plot was foiled on 5th November 1605. 
It was transferred from the Bodleian to the Ashmolean in 1887, and can now be seen in the Ark to Ashmolean Gallery.

Image:ashmolean.org 



Sunday, 13 July 2014

Dark Age chic


This morning as I walked past the Ashmolean on the way to Mass there was rather more than usual amount of noise emanating from the forecourt. This was occasioned by a considerable assemblage  of youngsters from summer schools - there seems to be an unconscionable number of them in Oxford this year - awaiting admission and surrounding two sentinal figures clad in reproductions of the garb, and complete with helmet and spear, of the occupant of the Sutton Hoo ship burial. Very impressive they looked too. I assume this was for an Anglo-Saxon themed activity day.


photo 

A reproduction of the Sutton Hoo helmet - available for purchase
 
Image:Dave Gunn on Flickr

However it did occur to me that maybe with so many youngsters around that this was a fashion parade for the latest in Dark Age repro- or reto - chic. Could it be that the Beowulf-look is the thing this summer?  After all Tolkien's commentary on the epic has just been published. Are these the must-have designer items? Just the thing for partying, or clubbing (pun intended) or even slipping down to the supermarket for a bit of rapine and pillage.

Meanwhile we still await Beowulf -The Musical ... go on, think about it, imagine casting it, staging it, filming it...





 

Thursday, 31 January 2013

New treasures at the Ashmolean



A friend drew my attention this evening to the acquisition by the Ashmolean Museum of the collection of almost five hundred pieces of Renaissance silverware made by Michael Wellby who died last year. This spectacular bequest is described in this report, complete with photographs and a video link, from the BBC website.  The pieces will clearly become a "must see" when they go on display in the near future. Here are photographs of three of the most spectacular items in the gift:


Lapis lazuli bowl and cup

Lapis lazuli bowl and cup





Portuguese ewer

Portuguese royal ewer 1510-15

Images: BBC website