The article looks at the Queen’s patronage of the arts
at Versailles, notably the Petit Trianon and Le Hameau, as well as artists and the world of fashion. It also looks at her charitable patronage, which was similar to that of her contemporaries as monarchs elsewhere in late eighteenth century Europe.
at Versailles, notably the Petit Trianon and Le Hameau, as well as artists and the world of fashion. It also looks at her charitable patronage, which was similar to that of her contemporaries as monarchs elsewhere in late eighteenth century Europe.
The article can be seen at Why Marie Antoinette’s Arts Patronage Was Radical for Its Time
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