Once I was a clever boy learning the arts of Oxford... is a quotation from the verses written by Bishop Richard Fleming (c.1385-1431) for his tomb in Lincoln Cathedral. Fleming, the founder of Lincoln College in Oxford, is the subject of my research for a D. Phil., and, like me, a son of the West Riding. I have remarked in the past that I have a deeply meaningful on-going relationship with a dead fifteenth century bishop... it was Fleming who, in effect, enabled me to come to Oxford and to learn its arts, and for that I am immensely grateful.


Sunday, 31 August 2025

“King and Conqueror “ - an academic’s critique


Following on from my last post I am copying and pasting an article by Professor Marion Turner which was published by the Daily Telegrapgh a few days ago. I will make my own comments about this as a postscript.


Episode one

False: Harold saved William’s life.

The future William the Conqueror is invited over to England for Edward the Confessor’s coronation and, on arrival, he and his men are attacked, but saved by Harold Godwinson (who later succeeds Edward to the throne), who does not know who they are. This is all made up: William was not at the coronation (and was a teenager at the time). In the series, this is the beginning of a sequence of parallels and back-and-forths between William and Harold which works well in terms of drama, but doesn’t reflect history. William’s fictional visit does, however, gesture towards the long and complex background between England and Normandy, especially the fact that Edward the Confessor had spent decades of his life in exile in Normandy and probably did feel great affinity with his Norman relatives and friends who had protected him.


False: It was vanishingly rare for two people to have the same name

Many names have been changed, and that grates. Obviously the programme makers think that the audience will get hopelessly confused. The most egregious example here is that Queen Edith (the daughter of Godwin, sister of Harold Godwinson and wife of Edward the Confessor) has become Gunhild (which was the name of her sister). The historical Edith was initially called Gytha (her mother’s name) but was always known as Edith after her marriage and during her queenship. She was never Gunhild.


The series has made another Edith – a fairly shadowy historical figure, who may have been Harold Godwinson’s first wife or long-term mistress – into a major character. Indeed they also change his second wife’s name to Margaret – as she was another Edith.


Episode two

Maybe: Earl Godwin blinded and killed Edward the Confessor’s brother

This may be true. Alfred (here called Aethel) was certainly horrifically blinded and killed after being invited back to England from exile under false pretences. The principal blame is usually ascribed to Harold Harefoot, son of King Cnut and Ælfgifu , but some sources also implicate Godwin (Earl of Wessex, father of Harold Godwinson, and later the father-in-law of Edward the Confessor). Different versions of the Anglo-Saxon Chronicle say different things, so the jury is out.

True-ish: The Godwins were exiled on trumped-up charges

In King and Conqueror, Emma of Normandy (mother of Edward the Confessor) engages in complicated machinations, paying the Earl of Mercia (one of the three most important earldoms along with Wessex and Northumbria) to provoke the Godwins so that ultimately they can all be exiled, as revenge for what happened to Alfred. What actually happened is that there were problems in Dover; Edward ordered Godwin to punish the town’s leaders, but Godwin refused, and Edward seized the disagreement as a pretext to get rid of this too-powerful earl. So the Godwins fled into exile (in 1051). King and Conqueror depicts them all fleeing to Flanders. Some of them did go there, but others – including Harold – went to Dublin. The scene (in the next episode) in which Harold and William meet up in Flanders and sit in baths together talking about how much they love their wives certainly did not happen…


Episode three

False: Godwin made Harold Earl of Wessex over the head of Swein, Harold’s older brother

This did not happen. In King and Conqueror, Godwin relinquishes his title to Harold while he is still alive, bypassing Swein who is violent and unreliable. Historically, Harold did not become Earl of Wessex until 1053, after the death of his father. Swein had died the previous year.

True-ish: Baldwin of Flanders was the lynchpin of Northern Europe

Baldwin, count of Flanders, was a major political player in the eleventh century. In King and Conqueror we see both Norman and English exiles flocking to him, and he dabbles in all kinds of high politics, ending up effectively controlling the throne of France. This is all basically true: he had his finger in all the northern European pies. Emma of Normandy had stayed with him in exile; he had supported her son Alfred; he helped his daughter Matilda’s husband William, and he was indeed regent of France. Some of the Godwins did stay with him in exile and he helped Godwin to return to England with force. There is some serious embellishment of his ambitions at times, especially later in the series when we see him plotting against his daughter, which is not true. (In a different way, it is also puzzling that we see him living in a tent and cooking his own dinner.) But in general, King and Conquerorgets it right in emphasising Flanders’s importance, and Baldwin’s political talents.


Episode four

False: Edward the Confessor beat his mother Emma to death


This is the strangest bit of the whole series. Edward seems to have some kind of psychotic episode and punches his mother to death. This is completely fictional. What actually happened would have made very good drama too, in a more psychological way: a few months after he became king, Edward allied with the earls – including the Godwin family – to exile his mother and take her money and treasure away from her. This was partly in revenge as his mother had never wholeheartedly supported him and had done more for her son by her second husband (Cnut), Harthacnut.

This extraordinary invention is part of the way these characters are imagined in King and Conqueror. Edward is portrayed as a mentally unstable, very weak, religious obsessive, absolutely controlled by his mother – and then suddenly rebelling against this control. He also refuses to have sex with his wife, despite her best efforts. The historical picture does not support this characterisation overall. He and his wife did not have children, but they almost certainly tried. At times in his life, and in his reign, he fought successfully and reigned competently – and he did stand up to his mother. He also went hunting a lot, and seems to have been a vigorous and outdoorsy man, quite different from the character portrayed here.

Emma was an extremely wily and powerful politician for most of her life. She was married to two kings – Aethelred and Cnut – and managed to help two of her sons (Harthacnut and Edward) to be king. She rallied support in Normandy and accumulated great wealth and power. And in her willingness to act strategically, particularly in marrying Cnut who was effectively deposing her own sons, we can see ruthlessness and an eye to the long game.


False: William killed Henry, the king of France

This densely imagined scene, in which William manages to kill his erstwhile ally while hunting and then works with Baldwin to pretend that bandits killed him, is entirely fictional. Part of the alleged motivation – that Henry had killed William’s father – is also fictional. It is true that William and Henry were allies early on, and that Henry then attacked Normandy, so they had a changing and difficult relationship. But this is another one of the made-up murders of this episode.


Episode five

Maybe: Harold was tricked into promising, over holy relics, to support William’s claim

This is one of those things we really do not know. According to King and Conqueror, William and Harold meet in Normandy to discuss the succession. William tricks Harold into taking his hand in public, across holy relics, and demands that he agrees to support his claim to the throne when the time comes. Harold gets out of it by promising to support the rightful king. Cunning! Did any of this happen? This is essentially what is depicted in the Bayeux tapestry, which shows Harold swearing solemnly to support William in this way. We only have this story from Norman sources, and this became part of the Norman story: that Harold swore to support William, and that in taking the crown himself he was betraying both his word and God. Obviously, it was in William’s interests to promote this version of events. But we do not know that Harold went to Normandy at all at this time (c.1064). We can be sure that other things that happen during this visit in King and Conqueror – such as Harold and William’s half-naked mud-fight – don’t reflect the historical record…


Episode six

True-ish: Tostig betrayed his brother

In “King and Conqueror”, Tostig, now Earl of Northumbria, turns against his brother, Harold, because he blames him for the death of his wife and child. It is true that Tostig did betray Harold and allied with Harald Hardrada of Norway, but this was for political reasons. Harold defeated Harald Hardrada and Tostig at Stamford Bridge.

Maybe: Harold deceived a lot of people at the time of Edward’s death

Did Edward name Harold as his heir? In King and Conqueror, Harold makes this up. At the time, English sources generally said that Edward had indeed named Harold, and this wasn’t disputed by the Normans. Although others had a better claim, Harold was in many ways the obvious choice. We also see him putting aside his long-term wife, Edith, to marry Margaret, sister of the Earl of Mercia – portrayed here as an outrageous betrayal. There is some truth in this. Harold had had a long relationship with Edith the Fair, with whom he had children, though it is not clear if they were married. He did marry the sister of the new Earl of Northumbria (Morcar) and the Earl of Mercia (Edwin) – though she was, of course, called Edith too.


Episode seven

False: Almost no time passed between Edward the Confessor’s coronation and death

The whole series takes place in a hugely compressed timescale. Children that are born in the early episodes are toddlers at the end. In fact, Edward ruled for over 23 years. There were years of anxiety about the succession. When William left his wife and child in charge of Normandy, his child was not a toddler but a teenager. The Godwins had been firmly established as the dominant family in England for 14 years by the time Edward died: they returned from exile in 1052 and he died in 1066. Their time in exile was a very short blip amidst decades of dominance. Queen Edith (Gunhild in the series) looks like a teenager throughout, but she was a woman of about forty by the time her husband (Edward) died. Matilda (William’s wife) is already pregnant by the time Edward is crowned but in fact William and Matilda were not married until about 10 years later.

True: A blazing comet was seen in the sky before the Battle of Hastings

This one is true. Halley’s comet was seen in April – admittedly the battle was not until October, but the comet was noticed and interpreted as meaning that change was coming. We’ll see it again around 2061 so who knows what that year will hold.


Episode eight

True: William and Odo pretended that Harold was killed by an arrow in the eye

The Bayeux Tapestry depicts Harold dying with an arrow in his eye.

We see the arrow being placed in Harold’s eye after his death and Odo (William’s brother and the bishop of Bayeux) loudly declaring that it was God’s arrow and yet another sign of God’s will. This is all broadly true to the spirit of what happened. The idea that Harold was killed by an arrow in the eye has become famous because it is depicted in the Bayeux tapestry, but early accounts of the battle do not corroborate this story. In general, the tapestry, although made in England, shows the Norman point of view and was commissioned by Odo. It is a propaganda piece, which is often interested in symbolism and ideology rather than historical fact. This episode does a good job of showing how William and Odo use religion to support William’s claim. It demonstrates how William understood statecraft and the power of images and propaganda. As with the swearing on relics of episode five, these are scenes well-known to many from the Bayeux tapestry, that extraordinary product of the age – coming back to England next year.


King and Conqueror” is available on iPlayer. Marion Turner is the JRR Tolkien Professor of English literature and language at the University of Oxford.


Postscript by the Clever Boy


I agree with most of what Prof. Turner says but am told that Tostig’s wife rather than dying with their child gave him several -four - children, and, following his death, remarried and bore six more children.

 

More significantly I do disagree with her in respect of the arrow in King Harold’s eye. Many years ago I saw a feature on the BBC about the inaccuracy of this interpretation of the depiction of the King’s death. 


Firstly the inscription indicating his death by its very position refers to the falling armed figure being cut down by the equally armed rider on horseback after the viewer has seen the famous image of the figure with the arrow in his head


Secondly the extremely detailed detailed early nineteenth century engraving of the as yet unrestored tapestry made by the meticulous Charles Stothard indicate that the shaft of the famous arrow was missing but - and it is a very important ‘but’ - Stothard showed the needle holes where it had once been. They indicate the arrow is actually in the standing figure’s forehead, and not his eye socket. Indeed the nineteenth century restorer has had to give a slight bend to the shaft to get it into the figure’s eye.


Apropos the Bayeux Tapestry the creators of this televisual travesty comprised of inaccuracy have ignored the evidence of the embroidery in one other significant area. This is a point missed by Prof. Turner. The Tapestry shows Harold Godwinson and the other leading Anglo-Saxons with long moustaches - possibly even waxed methinks - and Duke William and his companions as clean shaven. So what do the television make up department do? Yes, of course, they make King Harold clean-shaven and give William the Bastard a moustache that would not be out of place in an RAF drama from WWII. Mind you maybe in their view of history perhaps there were bi-planes in the skies over Sussex in 1066..



Saturday, 30 August 2025

“King and Conqueror”


Several friends have discussed with me the new television historical drama “King and Conqueror”. I have no wish to view what is manifestly inaccurate in terms of narrative, setting, costuming…you mention it  - everyone with any knowledge of the eleventh century can see glaring faults in it.

Earlier this year I noted some of these shortcomings in two posts in March and April, which can be seen, with the appropriate links, at How not to represent the Norman Conquest and Life in the Middle Ages - as it was and as it was n’t

The Daily Telegraph review is hardly favourable as can be seen here:
 

KING AND CONQUEROR REVIEW

The BBC's new Sunday night epic is more Monty Python than Game of Thrones



King & Conqueror, review by Ed Power:

The BBC’s new Sunday night epic is more Monty Python than Game of Thrones


King & Conqueror is a historical epic that, despite its starry cast, doesn’t feel particularly historical or epic


James Norton as Harold Godwinson and Indy Lewis as Margaret in King and Conqueror, a historical drama let down by atrocious dialogue 


King & Conqueror (BBC One) kicks off with the most fateful meet-cute in British history – the 1066 clash of kings between Harold Godwinson and William the Conqueror. But these two mortal foes have crossed paths already – as the series spells out when they hail each other mid-battle. “William!”, shouts Harold. “Harooold!”, responds William. It’s an unintentionally hilarious moment – rather than duelling monarchs, they sound like mates who know each other from five-a-side football. It isn’t the only time the viewer will be tempted to laugh out loud during this historical drama.

If Game of Thrones is the standard reference point for this sort of fare nowadays, the comparison that springs to mind watching King & Conquerer – which, after that opening, rewinds to the years leading up to Harold’s last stand in modern east Sussex – is Monty Python and the Holy Grail. All that is missing are peasants digging for dirt and John Cleese wearing a funny helmet.

It does at least have a duo of stellar leads. Sir Hunkalot James Norton commands the spotlight as a dashing Harold Godwinson. So dashing that it’s hard to work out how he’s going to lose England to the ghastly Normans. In the baddie corner, meanwhile, William is played with tremendous earnestness by Nikolaj Coster-Waldau, aka Jaime Lannister from, yes, Game of Thrones.


So dashing is James Norton as Harold Godwinson it’s hard to work out how he could lose control of EnglandCredit: BBC/CBS Studios/Lilja Jons

Jaime was a villain with a heart of gold. But initially, Coster-Waldau’s William comes over as a good bloke who wants the best for his underdog kingdom perched preciously on the French coast. A heroic halo similarly hangs over Norton’s Harold, busy prowling the borders of his father’s kingdom of Wessex, convinced the dastardly Mercians are up to no good.

King & Conquerer is written by Michael Robert Johnson, whose credits include Guy Ritchie’s fun Sherlock Holmes adaptation, and who has been upfront about prioritising drama over biographical fidelity in his latest project. As he told the BBC: “You can’t just dramatise the facts because the peaks and troughs of the emotions are never in the right place.”


Nikolaj Coster-Waldau’s William the Conqueror initially comes across as a well-intentioned underdog.


Historical accuracy indeed flies out the arrow-slit early on as a young William, in England for the coronation of Eddie Marsan’s Edward the Confessor in 1042, rescues Harold from bandits. The foes share an undeniable sizzle in their limited screen time together. Alas, they are cruelly betrayed by atrocious dialogue that swaps out the usual cod-Shakespeare for a disastrous attempt to bring 1066 bang up to date.

“Pull your head out of your arse, Harold!” declares the future King’s bad-boy brother, Sweyn (Elliot Cowan), early on. The various female characters, meanwhile, converse like 21st-century girl bosses parachuted into the Middle Ages. “I’m leaving England – I’m taking the children with me,” says Harold’s wife, Edith (Emily Beecham), as England’s Green and Pleasant Land is about to be washed in Saxon blood.


Elsewhere, there are groan-out-loud concessions to viewers who think Hastings is the aphorism-spouting cop from Line of Duty. “The Mercians crossed our border in violation of the peace agreement,” yells Harold in the first of eight episodes. He all but whips out a map and outlines the various kingdoms with a pointer.

Another misstep was surely the decision to film in Iceland, which is distractingly grim, dark and lacking in trees – and surely bears little resemblance to Harold’s England. Additionally, the budget doesn’t seem to have been the most massive either: 11th-century London is depicted as a single castle with a few cottages scattered about, while every other fortress looks identically lacklustre.


King & Conquerer’s best asset is its cast. Beecham and Clémence Poésy are convincingly gritty as Harold and William’s love interests. It’s got a great villainess, too, in Juliet Stevenson as Emma of Normandy, who plots to drive Harold and his dynasty out of Wessex and install her family from across the Channel as the protector of her son (fantastically hapless Marsan).

But the show never surmounts its massive spoiler problem – we all know how the tale finishes, and there aren’t enough surprises along the way to make the journey worthwhile. In the end, and despite a starry ensemble, King & Conqueror is a historical epic that doesn’t feel particularly historical and isn’t nearly as epic as the subject matter demands.


I have seen not a few online articles which to a greater or lesser extent slate the series for its inaccuracies and complete fabrications.

So on Sunday evenings find something better to do than watch this historical nonsense - sit and watch some paint dry. 

Better still read a decent history of the events of 1066.

My next post will reproduce an article from the Daily Telegraph, and written by an Oxford academic, which sets out the incredible number of inaccurate features in the series.

Friday, 29 August 2025

The reputed head of St John the Baptist at Amiens


Today is the feast of the Decollation of St John the Baptist. 

My previous posts for this feast can be seen at A German Reliquary of St John the Baptist from 2020, and which looks at a tooth relic of St John in a medieval reliquary from the Guelph Treasure. The Beheading of St John the Baptist from 2023 looks at the possible site of his martyrdom and some late medieval images of his death.  The Decollation of St John the Baptist from last year, which looks at two earlier seventeenth century paintings of the beheading by Matthias Stom from Malta.

A while ago I came upon a video which sets out the story, and the historical context, of how the reputed head of the saint travelled from the sack of Constantinople in 1204 and came to Amiens, and how this led the Bishop to rebuild the cathedral.

The video, which includes some fine images of the actual relic but also of the cathedral, can be seen at Does Amiens Cathedral REALLY have the Head of John the Baptist?



May St John the Baptist pray for us

Sunday, 24 August 2025

An early fifteenth century mitre from Switzerland


The online Liturgical Arts Journal has splendidly illustrated article about very impressive meter which appears to have been commissioned in the years 1414 to 1420 by the Abbot of Kreuzlingen. The abbots had been granted the privilege of wearing pontifical vestments by Pope John XXIII, and the then abbot, Erhard Lind, appears to have wasted no time in commissions a mitre for himself and his successors. 


The mitre is a rare survival, and an indicator of what the well-attired prelate would want to be seen waring in the time of the Council of Constance. The Council itself met in the neighbouring city to Kreuzlingen, which lies on the lakeside but across the land border in Switzerland.

Friday, 22 August 2025

A Twelfth Century Alb


The Liturgical Arts Journal has an interesting article about an alb preserved at Ferento, near Viterbo. It has survived as it is believed to have belonged to a saint-bishop. In discussing this specific example the article opened into a consideration of the history and development of the alb since the twelfth century. The alb is one of the liturgical vestments with the longest history, and, because of its very nature, one that has in its essence changed little. Later centuries developed the use of fine fabrics, decoration and different types of pierced fabrics and lace.

It was designed to be worn with apparels, indicating their established use at the time it was made. 

The alb itself is in fine condition and equal in quality to other surviving medieval examples from Italy, such as those associated with St Francis of Assisi and Pope Boniface VIII, as well as those from later centuries.



Thursday, 21 August 2025

Living and dying in the sixteenth century


History Extra has an online article by Dr Steven Gunn from Merton College in Oxford.based on his research into Coroner’s records from the sixteenth century.

I imagine that the type of risks he has uncovered were not in any way special to the sixteenth century and would have been similarly likely during the preceding centuries, and indeed until relatively modern times. 

One very frequent cause of death was drowning  - as indeed it still is in the summer months - but compounded by the fact that swimming as we know it today was not a commonly or especially acquired skill at the time.

If taking a dip in the local stream or pond was a risk for men and boys then fetching water for domestic use was a risk for their wives and sister as they trudged along slippery paths by running water.

Not only do these records reveal accidental deaths, but also significant aspects of the daily lifves of the victims and witnesses. Things that were so mundane as not to feature in the more important records of government do feature in these records and in other medieval and early modern archival sources.


You may need to be a subscriber to History Extra to access it.

It was, as I understand it, whilst doing his research into these records as a source for the period that Dr Gunn found the records of the coroner’s inquest into the death of Amy Robsart - Lady Robert Dudley - at Cumnor Plaace in 1560. 


Saturday, 16 August 2025

A Roman sunhat


With the recent excessive temperatures a story which I first saw on the BBC News website about the conservation of a surprising artefact in the collection of the Museum in Bolton. seems very topical. It is about a wool fabric sun hat - one of only three known to survive - from Egypt. It is dated to the time of the Roman occupation by Augustus of the country after the death of Cleopatra VII.

I am told by a friend who is an Egyptologist that the Chadwick Museum collection in Bolton has significant holdings of ancient Egyptian textiles, reflecting the commercial interests of late nineteenth century industrialists in the town. 

The hat certainly, for obvious reasons, shows resemblances to those affected by soldiers in World War II, by cricketers in the field, and by tourists - like myself many years ago - to modern Egypt. Its closest resemblance is to a type of combined folding sun and rain hat remember my other and other women wearing in the 1960s on the basis of ‘always being prepared’.

A more substantial and more recent version in purpose and appearance is, of course, the pith helmet or solar topee of recent centuries. Wikipedia gives an interesting history of that particular piece of headgear at Pith helmet


The sun hat is also featured by The History Blog at Roman soldier’s floppy sunhat goes on display


Thursday, 14 August 2025

Barbara Harvey RIP


I was sorry to see yesterday  in the Daily Telegraph the obituary of the distinguished Oxford Medievalist Barbara Harvey, who has died at the age of 97.


Although I was never formally introduced to her she was, until recent years she was a familiar figure in and around central Oxford 

Virtually the last of those very distinguished women medievalists, including Maud Clarke, May McKisack, whom she succeeded at Somerville, and Beryl Smalley, who were distinguished products of the Oxford women’s colleges and History Faculty both before and after the Second World War.

She was also, if I remember aright, a stalwart of St Mary’s in the High

She will be remembered in particular for her meticulous work on the estate and financial records of Westminster Abbey in the later middle ages . as the obituary records.

She was a historian and researcher who has left a great legacy. May she rest in peace.


Sunday, 10 August 2025

A singular example of wokery


The other day Life Site News website carried a report of a wondrous example of contemporary wokery in respect of infanticide and attitudes to pre-Columbian societies in South America.

I will let readers look at it and let you ponder the utter fatuity of Emily Pool, who from her name must surely be from the British Isles.


My response would be to quote a longstanding friend who once opined over the breakfast table to a group of us that “The best thing any dago ever did was stamping out native South American religion”

And so, I hope, say all of us.

Tuesday, 5 August 2025

Cleaning St Thomas’s Church in Salisbury


The BBC News website recently had a report about a project to clean the carved and painted ceilings of the very handsome late medieval church of St Thomas in the centre of Salisbury.

The church is, of course, famous for its restored fifteenth century Doom Painting on the chancel arch, which is also illustrated in the online article. 

I hope the current programme of work in the Lady Chapel can, ais is hoped, be extended to the rest of the church and that more of its medieval colour and decoration can be revealed and appreciated.

The illustrated report from the BBC can be seen at Salisbury church clean unveils medieval craftmanship


Friday, 1 August 2025

St John Henry Newman to be declared a Doctor of the Church


The announcement yesterday from the Vatican that St John Henry Newman is to be declared a Doctor of the Church is very good news indeed.

john-henry-newman

St John Henry Newman by John Everett Millais, 1881

Image:sevenoaksordinariate.wordpress.com

It is all the more appropriate that just as St John Henry was made a Cardinal by Pope Leo XIII at the beginning of his pontificate, so now Pope Leo XIV at the commencement of his has authorised the saint’s status as the thirty eighth Doctor of the Church. 

As an Englishman Newman will join the very select, and very distinguished, company of St Bede the Venerable, the only other Doctor born in these islands. To this pair can be added an adoptive son in St Anselm.

For Oratorians and their congregations he is the first son of St Philip to be given this honour, and Newman exemplified the Oratorian vocation.

For Oxford University he is the first Doctor of the Churxh to have been educated there and to have been for many years a significant contributor to its life and purpose,

For both Trinity College and Oriel College it is an honour, and one that for the latter that happily falls in the seven hundredth anniversary year of its existence.

St John Henry Newman pray for us.