The always excellent series of videos from The Antiquary, Dr Allan Barton, has recently included two about the Thornham Parva Retable.
This famous, and precious, survival from the early fourteenth century is now housed in the small Suffolk church of Thornham Parva, to which it was given about a century ago. There is good reason to believe that it originated in the Dominican friary church at Thetford and was preserved by a recusant family following the dissolution of the friary in 1538. The Retable has become appreciated and well known as an indicator of what once decorated the friaries, and other churches, of later medieval England.
The video can be seen at How did this painting survive the English Reformation?
This has been followed by a second video which was a complete revelation to me, pointing out that most of the painted altar frontal that originally accompanied it survives in the Musée de Cluny in Paris. The two match for size and style, and their joint survival seems almost miraculous. Like the Retable the history of the frontal until the museum acquired it in the later nineteenth century appears lost.
The video about it can be seen at How are these two medieval paintings connected?
It would be wonderful to see the two items reunited in an exhibition - and, better still, set up with an altar, so that, at least once, the traditional Dominion rite could again be celebrated at it.
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