Once I was a clever boy learning the arts of Oxford... is a quotation from the verses written by Bishop Richard Fleming (c.1385-1431) for his tomb in Lincoln Cathedral. Fleming, the founder of Lincoln College in Oxford, is the subject of my research for a D. Phil., and, like me, a son of the West Riding.

I have remarked in the past that I have a deeply meaningful on-going relationship with a dead fifteenth century bishop...
It was Fleming who, in effect, enabled me to come to Oxford and to learn its arts, and for that I am immensely grateful.


Thursday, 5 March 2015

Liszt's Via Crucis at the Oxford Oratory


Last night I attended a performance at the Oxford Oratory of Franz Liszt's Via Crucis, a musical following of the Fourteen Stations of the Cross. Interspersed with this were the reading of Bl. John Henry Newman's meditations for each of the Stations.

This was a thoughtful, reflective performance which provided a very suitable Lenten devotion.

Here is abpiece about the Via Crucis from the Oratory website:

57-gesù-caricato-della-croce


Via Crucis is perhaps the closest Liszt came to creating a new kind of church music through combining a new harmonic language with traditional liturgy. While the overall atmosphere is restrained and devout in feeling, the harmony underpinning the music is experimental, including an extensive use of the whole-tone scale. While the composer uses familiar chorale and hymn tunes, the overall impression aurally is of an unsettled tonal language. Three of the 15 numbers (an introduction along with depictions of the 14 Stations of the Cross) employ sliding chromatic lines and harmonies; and when those harmonies do come to rest, they are often diminished or unique. Other Stations use successive chromatic chords and may abruptly end on a single tone.

Image and text: Oxford Oratory website



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